Ellis Ka-yin Chan, Tena van der Galovic, Zozo Jhen, Yen-chen Liu, Marine Varguy, “A Gong (Grandpa)” (2018)
A tale of a small Taiwanese boy attending his grandfather’s funeral with his parents, performing little rituals he has no clue about, becomes a journey exploring intense grief, the closeness of ties between two generations, reincarnation and the hope it encompasses, and the continuity of life. The animation may look cartoony (it was hand-drawn with oil pastels) and a bit two-dimensional but this is to emphasise the film’s focus on the child and his point of view. Dialogue is pared back almost to the point where the film could be considered a silent film.
The film cleverly portrays the boy’s growing confusion and concern over the death of his grandfather and the strange rituals the adults follow (and urge him to follow as well) during the funeral to see off the old fellow, clad in his motorcycle outfit in the open coffin. The child’s unease reaches breakdown point when at night he hears the distant roar of a motorcycle and he races outside the house in pitch darkness to chase a dim red light. When the light disappears and the child comes to a fork in the road, he is in complete despair at having lost his grandfather forever. At this point, something unexpected happens: a puppy with a very familiar shape and expression on its face appears.
Taiwanese funeral customs and the spectacle they involve – not to mention their overwhelming nature to small children who may be perturbed by emotional adults, the solemn chanting of Buddhist monks, the burning smell of incense, and more besides – are showcased to good effect here. Viewers may be more impressed though with the boy’s grief and gradual acceptance of his poppy’s death, and the old man’s final gift to the child to offer him hope and comfort.