The Eye and the Ear: an assertion of Polish rebirth in an abstract and experimental short film after years of war
Franciszka and Stefan Themerson, “The Eye and the Ear / Oko i Ucho” (1944 /
Franciszka and Stefan Themerson, “The Eye and the Ear / Oko i Ucho” (1944 /
Zbigniew Rybczinski, “Tango” (1981) Winner of the 1981 Oscar for Best Animated Short, this 8-minute
Jerzy Kucia, “Reflections / Refleksy” (1979) Black-and-white animation has never been used so well as
Zofia Oraczewska, “The Banquet / Bankiet” (1976) Its style seems outdated for a short animation
Marek Skrobecki, “Ichthys” (2005) For once I didn’t need to look up an English translation
Witold Giersz, “The Red and the Black / Czorwane i Czarne” (1963) / “The Horse
Ryszard Czekala, “Son / Syn” (1970) This short silent animation piece is one that Polish
Ingmar Bergman, “Smultronstället / Wild Strawberries” (1957) Few movies feature 80 or 70-something actors as lead
Stanley Kubrick, “A Clockwork Orange” (2013) Not a bad film but for what it is,
Andre de Toth, “House of Wax” (1953) “House of Wax” was the movie that established