French and French-language Films
Claire Darling: slow film about memory, heritage and past pain leading to a big bang
Julie Bertuccelli, “Claire Darling / La derniere folie de Claire Darling” (2018) On the first
Reviews of films from France and French-language films from Belgium and Switzerland. At this stage, I’m not sure if there’ll be many French-language films from African and other countries coming within my orbit – probably I’ll create a separate category for them and call it French-language Films from outside Europe, or something hopefully more succinct and graceful!
French and French-language Films
Julie Bertuccelli, “Claire Darling / La derniere folie de Claire Darling” (2018) On the first
British Films | French and French-language Films
Rupert Everett, “The Happy Prince” (2018) A labour of love, of much research over the
French and French-language Films | Multi-media Presentations
Jean-Luc Godard, “The Image Book / Le Livre d’Image” (2018) At 84 minutes, in no
French and French-language Films
Alain Resnais, “Last Year at Marienbad / L’Année dernière à Marienbad” (1961) At times hilarious,
French and French-language Films
Gaspar Noe, “Climax” (2018) In the hands of Argentine-French director Gaspar Noe, a story about
French and French-language Films
Philippe le Guay, “Normandy Nude / Normandy Nue” (2018) One of a distinctly French genre
French and French-language Films
Cedric Klapisch, “Back to Burgundy / Ce qui nous lie” (2017) An otherwise rather ho-hum
French and French-language Films
Luis Bunuel, “Diary of a Chambermaid” (1964) Of the Spanish director’s late-autumn career in which
British Films | French and French-language Films
Armando Iannucci, “The Death of Stalin” (2017) A British-made comedy satire about the death of
British Films | French and French-language Films | North American Films
Stanley Tucci, “Final Portrait” (2017) Best seen as a character study and a superficial investigation