Sandun Seneviratne, Charlie Bray, “Vikaari” (2020)
Cunningly disguised as a TV current affairs article / mini-documentary, complete with different styles of filming including videotaping, this short film – possibly inspired by John Wyndham’s novel “The Midwich Cuckoos” and the films that were based on it – is a commentary on political and social instability in nations that have long suffered from civil war or destabilisation by foreign forces, and the consequences that arise from that instability. In Sri Lanka and other war-torn nations across the planet, an alarming phenomenon is observed: women are giving birth to children with unusual physical and mental characteristics including mind control, telekinesis, communicating with one another through telepathy and other apparent paranormal abilities. The children are distinguished by their apparent autistic behaviour and their blank eyes. Across Sri Lanka, the children’s presence among impoverished townspeople and villages in the countryside leads to unease and tension that boil over into hatred and the formation of vigilante groups intent on killing them; at the same time there are individuals and charity groups sympathetic to the plight of families with these children who try to shield the families from discrimination, intolerance and violence. The children though have their own ways of retaliating against those who would destroy them – and the film carries hints that the children themselves are not above exploiting those who would try to help them.
The acting is credible and even minor characters play their roles well though their screen time may be no more than a few minutes. Stand-out actors are Ashan Dias, playing the vigilante group leader, and Bimsara Premaratne as the do-gooder doctor who organises a charity to help the families of the vikaari (“change” in Sanskrit) children. Richard Dee-Roberts plays the Western armchair science expert brought onto the unnamed news program to discuss the vikaari phenomenon and Charlie Bray who co-wrote the script has a small part to play in the film. Chevaan Daniel is brought in as the Sri Lankan President sanctimoniously mouthing platitudes about racial tolerance and Sri Lanka being a multicultural nation where racial and other discrimination is dealt with, despite the nation having just come out of a 30-year civil war based in large part by the Sri Lankan government persecuting an ethnic and religious minority.
The underlying themes and messages may be a bit confused but somehow the most important message – that the vikaari phenomenon has come about as an evolutionary survival mechanism in response to war and foreign meddling, and that the vikaari children demonstrate a predatory, even psychopathic mind-set in response to the brutality and violence of wars begun by people seeking to control others and to steal their lands and resources – is buried deeply under other messages about tolerance and how discrimination and racial attacks can only reinforce and prolong distrust and instability.