Fascism As It Is: snapshot film of the Ukrainian crisis that indicts mainstream Western news reporting

Andrey Karaulov, “Fascism As It Is” (2014)

Looking hastily made, this documentary is a snapshot of the chaotic situation in Ukraine after the massacre of left-wing activists and pro-federalisation rally participants in the Odessa Trade Union building and the building’s subsequent burning by fascist supporters of the interim Ukrainian government in early May 2014. The film concentrates on two incidents: the aforementioned Odessa mass killings and arson and a similar incident of mass killings in Mariupol in eastern Ukraine in April 2014, with mention of a third incident in Zaporizhiya, also in eastern Ukraine, that occurred before the Mariupol incident in which people holding a peacefully rally were harassed by police who used tear gas and chemicals to intimidate and disperse crowds.

The two incidents are retold in considerable detail in the format of interviews by the director with various eyewitnesses and others people spoken over what look like newsreels. Historical film material of incidents of World War II is used in parts of the film that refer to the Soviet defence of Ukraine against the Nazi German onslaught. The format is very stream-of-consciousness and the pace is quite fast so it takes all my attention to follow what is being said. Many viewers might need to watch this documentary at least twice because there is so much information coming at you and so much detail to absorb. However what comes through very clearly is the fact that the government that overthrew the legitimately elected Ukrainian President Viktor Yanukovych in February 2014 has very clear links to current Ukrainian fascist forces as represented by the Svoboda Party and neo-Nazi Pravy Sektor (Right Sector) and Ukrainian fascists and nationalists of the past (such as the notorious Stepan Bandera) who collaborated with Nazi Germany in the early 1940s and among other things butchered Jewish people in their thousands. Interviewees make clear that Pravy Sektor thugs have infiltrated most parts of Ukraine beyond their base in western Ukraine where Svoboda enjoys electoral support and are terrorising people and committing brutal acts including killing and causing disappearances.

Another theme running through the film is the way the various incidents are reported or ignored in the Western mainstream media. Just about everything that has been occurring in Ukraine has been filtered through an anti-Russian point of view that favours the fascists by Western news media. The incidents in Zaporizhiya and Mariupol have been all but ignored and the massacre of progressive, leftist and pro-federalisation activists by Pravy Sektor, Shtorm and the so-called “Dnepr-1” battalion, the latter two groups being owned by Ukrainian oligarch businessman and politician Ihor Kolomoisky, has been downplayed and the arson given more prominence as an accident. The staged incident of “rival soccer fans”, actually Shtorm and the Dnepr-1 battalion, fighting with one another was portrayed as being for real.

The most horrific part of the documentary comes very late in the film when a journalist tells the interviewer of bodies of dead people being thrown out of the burning Odessa Trade Union building (with accompanying shots of the dead bodies falling from windows and hitting the concrete) and of the smells of chemicals used in the building. The journalist describes how she barely managed to escape the building alive herself.

In spite of its slapdash style and apparent lack of organisation, this documentary is well worth watching. The Odessa Trade Union building mass murders and the arson that was intended to cover up the butchery are documented on other websites and blogs like Oriental Review, World Socialist Web Site and Joe Giambrone so the film cannot be accused of being pro-Russian propaganda.  Interviewees point out that the interim regime’s Pravy Sektor and other enforcers have been killing ethnic Ukrainians as well: the lists of people who were killed in the Mariupol incident and who have been disappeared by the authorities since Yanukovych fled Ukraine include several people of ethnic Ukrainian background.

It is clear from the documentary that the interim government under Acting President Oleksandr Turchinov and Prime Minister Arseni Yatseniuk is guilty of war crimes. Western governments and the Western news media, by ignoring or obfuscating the truth of the incidents highlighted in the film stand equally guilty as accessories to war crimes.

As a narrowly focused state-of-the-nation snapshot, the film does not fully explain the connections between the Ukrainian fascists and nationalists of the past with their descendants in western Ukraine who now govern the country with brutal force and incompetence. The film does not make the link between the deliberate misinformation generated in the Western news media about the recent shocking events in Ukraine and the fact that the fascist government under current President Petro Poroshenko is taking orders from rogue elements in the United States government (especially the US State Department) who are keen on seizing energy resources in the eastern Ukraine and surrounding Russia with hostile NATO states armed with missiles aimed at major Russian cities.

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