Ben Rock, “Future Boyfriend” (2016)
Adapted from a play written by A Vincent Ularich for a science fiction theatre festival, of which its full-length romantic comedy movie potential was quickly appreciated by the audience, “Future Boyfriend” takes place in a single setting – its two main characters sit opposite each other at a table in a cosy Italian restaurant – and is driven entirely by the characters’ dialogue. Stuart and Kayley (played by Ron Morehouse and Emily respectively who also played those characters in the play) are on their third date together, and Stuart decides to tell Kayley, since they are now going steady, about his past – or rather, his future. He has come from 60 years in the future in which he first met Kayley as an elderly woman in the nursing home where he works as a care assistant. He even demonstrates to his stunned date the proof with a hologram presentation in which images of the aged Kayley celebrating her 90th birthday with Stuart appear. Apparently Kayley has ended up in the nursing home as her career dreams have failed and she never married and had any children. The horrified young Kayley decides she’s had enough of seeing her bleak future and flees the restaurant … and a very distraught Stuart.
The film succeeds through the work and energy the actors put into their characters: Morehouse particularly emphasises the details of Stuart’s earnest devotion to Kayley, cutting up the food and even feeding the young Kayley though the dementia will not appear for another 60 years. Bell does great work playing Kayley through all the emotions the character must demonstrate in 14 minutes. Unfortunately the single setting and short duration of the film do not allow for Kayley having second and third thoughts about her relationship with Stuart, with the result that any maturation she undergoes and the decision she makes about that relationship appear unusually quick and shallow. A movie treatment of “Future Boyfriend” would draw out the character development of both Stuart and Kayley, as Stuart would have to see the young Kayley for what she is now and not as the elderly patient she will be in the future, and Kayley would have the luxury of time to consider whether or not she should continue to see a rather dorky if earnest young man with an unusual past … or future.
Some may see a rather conservative message that presumes women are much better off in a relationship than living alone, with all the presumably dire health consequences that might result. A more positive message viewers might come away with is that the future isn’t necessarily set in stone, and even though Stuart has come from a future world in which Kayley has been unlucky in love and career, there is now the possibility that with him now by her side, that future can be directed onto a different and happier path. Who wouldn’t want a second chance at life?