Xavier Giannoli, “À l’Origine” / “In the Beginning” (2009)
It’s rather too long by 30 minutes and a couple of sub-plots, one involving Gérard Depardieu sleepwalking through his part, go nowhere but otherwise this tale of a con-man who takes on a scam job bigger than he can chew and ends up bringing new life to a depressed rural town and possibly himself is an enjoyable excursion into social realism and the possibility of reinvention in one’s own life. Small-time con-man Philippe (François Cluzet) makes a living ripping off construction companies by usurping identities and selling equipment, going from one town to the next … until he comes to a municipality plagued by mass unemployment and a bleak future as a result of a highway construction project that has stalled because a colony of rare scarab beetles lives in the area where the highway was supposed to go through. Adopting the role of project manager, and egged on by an eager mayor (Emmanuelle Devos), Philippe restarts the project, hires local people as labour and local firms to supply materials for the construction, even though he has very little idea as to what project managers on such jobs actually do. He befriends local girl Monika (pop singer Soko) and her drug dealer boyfriend Nicolas (Vincent Rottiers) who find jobs on the project which for the first time in their lives promise a better future for them in the town. Philippe himself finds a new lease on life as the entire town is energised by the project and the passion and enthusiasm the townspeople have in the construction work infect him as well. The possibility of settling down in the town with the mayor, as opposed to furtively running from one place to the next, beckons. Unfortunately Philippe’s con-man partner makes an appearance and the law through the town bank manager starts to catch up with Philippe.
The tension in the film generated by Philippe’s conscience as the con-man starts to stress over the lies he tells the townspeople and how soon something will happen that will reveal the truth about him and the project to the mayor and everyone else, holds the plot together. In this, Cluzet does a great job with quite minimal acting, his face alone conveying the increasing guilt and shame he feels at having duped everyone. Initially planning to cream off the profits generated by the construction work, Philippe ends up spending all the money he hides on making sure the work gets done on schedule, even buying up new office equipment when the factory office gets trashed by night burglars. The rest of the cast basically revolves around Cluzet with Rottiers as the delinquent who is redeemed by working on the project the stand-out of the supporting actors.
The thin plot is padded out with various themes playing out in quite complex ways: there are contemporary economic issues about the outsourcing of work that led to the town becoming depressed, the bureaucracy that stalled construction work, and the need for the town to find a new identity and common purpose that unites everyone and stops them from descending into poverty and crime. There is the sense that the town is isolated from the rest of France and needs a catalyst from outside that can set its people on their own path of self-help and collective renewal. Certainly officialdom has been of no help so far. Philippe finds self-fulfillment in work that generates jobs, prosperity, happiness and new-found purpose for a whole town. Yet the knowledge that his scam will be revealed and Philippe himself experiencing anxiety, health problems and coming close to wrecking not only his own life but other people’s lives as well is ever present.
It’s the intersection of the social realist themes (economic depression in rural regions, the need for useful work that creates jobs, prosperity and self-fulfillment) and the individual psychologies of characters like Philippe and Nicolas, both small-time criminals who find new identities and self-renewal in the most unlikely way, that gives this film its unique style as a tragicomedy combining elements of heist and redemption films.