Iteration 1: a dystopian human future equivalent to a maze teaching flatworms to learn from experience

Jesse Lupini, “Iteration 1” (2016)

Made for a Canadian film festival in which the objective was to shoot a film and complete its post-production in the space of 8 days, “Iteration 1” is a very good-looking work that perhaps mirrors how AI bots learn or how flatworms are trained to find their way through a maze. In a dystopian future where she might be a prisoner, Anna (Katherine Isabelle) gets up out of bed and has 60 seconds to find her way out of her minimalist-styled prison or get zapped dead if she makes a mistake or time runs out. The next time she is born, she has to go through the whole process of escaping her prison within 60 seconds again. Viewers can see where this is going so there is no point of trying to count the number of times Anna becomes aware and being zapped before she is eventually able to escape her bedroom prison, only to enter another prison where she is surrounded by balloons of which she must break one to find a key that will allow her to escape the second prison … into a third prison where there is a huge tree and a small axe. Each time she wakes up, her attitude changes (indicating that she is learning from past experiences) and previous incarnations assist her so perhaps yes, Anna is indeed some kind of AI bot. In every incarnation, Anna is warned by an unseen supervisor (France Perras) speaking to her through some sort of PA system whenever she makes a mistake.

Viewers may think there is no plot or story, and certainly there appears to be no ending, but the plot itself is a series of endless repetitions which might symbolise the journey of life for individual humans or humanity as a collective … the purpose of humankind, individually and collectively, is to achieve and overcome obstacles, and learn from such experiences, to advance the species and enable its survival. What the end goal from such a series of quests is, remains elusive.

For a film quickly put together, the sets are very good, the acting is impressive without being excessive and the special effects are also spot-on and well done.