Matt O’Casey, “Queen: Days of our Lives (Part 1)” (2011)
To mark the 40th anniversary of a beloved British rock music institution, the BBC made this 2-part series featuring apparently rare interviews and until now unseen archival film material. Part 1 covers the band’s early history from its formation up to the early 1980s and includes the first seven albums. The episode revolves around two of the remaining band members, lead guitarist Brian and drummer Roger Taylor, speaking to an unseen interviewer and reminiscing about significant periods in the band’s career; other people associated with the band, like John Reid who managed Queen for a brief time in the late 1970s and producer Roy Thomas Baker are also interviewed. Band recordings relevant to the passages that proceed chronologically enliven what is a basically straightforward retelling of Queen’s 1970s history which is further spiced with music video clips and a bit of old late 1970s social background context when punk and new wave erupted in the UK and for a while made Queen look dangerously antiquated.
In its first half-hour the film whooshes through the band’s timeline with an emphasis on how particular songs were put together and recorded in the studio. The second half-hour relaxes into an amble through a number of issues that affected Queen’s career throughout the decade such as the tension between preserving musical integrity and the drive for commercial success, creativity under pressure and production expenses, the hostility of the music press, the ownership of songs and the naivety of American audiences confronted by the band’s deliberate artifice and camp image. Parts of this section aren’t always interesting and feature trivia that don’t add much to viewers’ understanding of why the band formed, why the members were so hungry for success and recognition and the song-writing and recording process. Not much really has to be done by the film crew save for ensuring that the images have a structure most viewers can follow: to some extent the music itself reflects and suggests progress and change, and the band’s upward career trajectory in the 1970s and early 1980s conveniently fills out part of the episode in an entertaining way.
Ultimately the episode isn’t very in-depth and merely falls into the kind of conventional rock music documentary territory that dutifully recounts the peaks and troughs of the band’s career. I for one would really like to know what drove singer Freddie Mercury into wanting to be not just another rock or pop singer but a legend, how he developed his singing style and stage act, and what people or styles of music influenced him when he was young. The fact that Mercury was of Parsi Indian ancestry and grew up in an environment heavily influenced by British colonial culture, Zoroastrian culture and others against a multicultural background in India and the-then Tanganyika and Zanzibar territories must have had considerable effect on his vocal style, visual presentation and song-writing approach but the film says nothing about this. The film omits interviews with significant people in Mercury’s life including his girlfriend Mary Austin and family members who might have shed some interesting or revealing light on his motivations and character. Also early music influences on the band overall – influences that would have included 1960s psychedelic rock, early 1970s progressive rock and early heavy metal among others- aren’t covered much.
Shame that an opportunity to look at Queen’s career in a way different from how most rock music documentaries are done was wasted. This particular number will soon join the ranks of other ho-hum TV biographies and be forgotten by most people apart from Queen fans.