Eastern European Films | Russian and Soviet Films
Arsenal: as Soviet propaganda, film is surprisingly pacifist and innovative in use of montage
Alexander Dovzhenko, “Arsenal” (1928) Notable for its skilful use of montages of images to create
Eastern European Films | Russian and Soviet Films
Alexander Dovzhenko, “Arsenal” (1928) Notable for its skilful use of montages of images to create
Eastern European Films | French and French-language Films
René Laloux, “Fantastic Planet” / “La Planète Sauvage” (1973) A very absorbing animated science fiction
Sergei Eisenstein, “Alexander Nevsky” (1938) Unashamedly patriotic and stirring action-movie propaganda for the masses and
Martin Scorsese, “Taxi Driver” (1976) As a character study of a lonely and alienated man
Andrei Tarkovsky, “Stalker” (1979) For Western audiences used to fast action science fiction movies, “Stalker”
Eastern European Films | Northern European Films | Russian and Soviet Films
Marek Pestrak, “Pilot Pirx’s Inquest” / “Test Pilota Pirxa” / “Doznanie Pilota Pirksa” (1979) A joint
Sergei Parajanov and David Abashidze, “Ashik Kerib” (1988) The last completed film by Georgian /
Carol Reed, “The Third Man” (1949) Here’s an excellent movie character study about the testing
Georgiy Kropachyov and Konstantin Yershov, “Viy” (1967) A rare 1960s Soviet film in the horror
Renny Harlin, “5 Days of War” aka “5 Days of August” (2011) Directed by Renny