The Gate: elegant and polished sci-fi body horror critical of politics and neoliberal capitalism
Matt Westrup, “The Gate” (2011) Deriving its title from a couple of lines in the
Matt Westrup, “The Gate” (2011) Deriving its title from a couple of lines in the
British Films | Eastern European Films
Graham Phillips, “Europe’s Unknown Death Camp – Jasenovac – Croatia – WWII” (22 April 2021)
Paul Cockshott, “Obstacles to the China Path in Latin America” (19 December 2021) This video
Dan Astin-Gregory, “Why Do So Many Still Buy Into The Narrative?” (Dan Astin-Gregory / Pandemic
Martin Rosen, John Hubley, “Watership Down” (1978) A vivid and beautifully presented tale, this British
Sidney Lumet, “Murder on the Orient Express” (1974) Initially beginning as a lavish drama set
John Blair, “The Man Putin Couldn’t Kill” (2021) Covering the incident in which Russian political
British Films | North American Films
Michael Apted, “The World Is Not Enough” (1999) Sent to protect a wealthy oil heiress
British Films | North American Films
Roger Spottiswoode, “Tomorrow Never Dies” (1997) The second of four films that Irish actor Pierce
British Films | North American Films
Guy Hamilton, “Live and Let Die” (1973) Cashing in on the blaxploitation film genre that