The Eel: tale of redemption labouring under too many complex abstract themes
Shohei Imamura, “The Eel / Unagi” (1997) Japan’s boys in blue have an enviable record
Shohei Imamura, “The Eel / Unagi” (1997) Japan’s boys in blue have an enviable record
Hiroyuki Yamaga, “Royal Space Force – the Wings of Honnêamise / Ôritsu uchûgun Oneamisu no
Katsuhiro Otomo, “Steamboy / Suchimoboi” (2004) A decade in the making, Katsuhiro Otomo’s second full-length
Hayao Miyazaki, “Laputa, Castle in the Sky / Tenko no shiro Ryaputa” (1986) One of
Hayao Miyazaki, “Nausicaä of the Valley of the Wind / Kaze no tani no Naushika”
Pablo Berger, “Blancanieves” (2012) In the style of old 1920s expressionist silent films, Berger’s “Blancanieves”
Eastern European Films | North American Films
Joshua Marston, “The Forgiveness of Blood / Falja e Gjakut” (2010) Hard to believe that
Makoto Shinkai, “Garden of Words / Koto no ha no niwa” (2013) Makoto Shinkai is
Alfred Hitchcock, “Shadow of a Doubt” (1942) A dark film that explores the potential for
Australian and New Zealand Films
Daniel Nettheim, “The Hunter” (2011) Based on the novel by Julia Leigh, “The Hunter” is