Will Lowell, “Custom Order” (2017)
Looks like I hit a dud sci-fi short for once on the DUST channel with Will Lowell’s “Custom Order”. For a film lasting some 13 minutes, the plot is very bare-bones thin and its characters are unremarkable and stereotyped. Aaron (Matt McGorry) has just broken up with Chelsea (Maya Erskine) who, despairing of Aaron’s inability to commit himself and open up his feelings for her, has left his house in a huff with just a note on his answering machine telling him she’ll come back to get her hair-dryer and a few other items left behind. Aaron promptly orders a robot sex doll to be delivered to his place. He puts her various parts together and powers up her battery and, voila! – Nicole (Sophie Kargman) is born. Aaron promptly puts her through her paces and she passes the sex test with flying colours. The pair quickly establish a daily routine, Nicole always being available for sex and also able to keep the house in order. One day, Aaron gets a sudden visit from Chelsea, returning for the hair-dryer, who also is a bit curious as to who has been keeping the house tidy …
It is astonishing that the whole time during the film, there is very little character development in any of the characters and Nicole shows no sign of independently acquiring any self-awareness and the knowledge that she is a sex slave. Aaron comes off as a socially inept and rather grubby character. Chelsea may be or may not be having second thoughts about leaving Aaron, and the viewer is left to try to second-guess what Chelsea is going to do, at least until she discovers Aaron’s secret, at which point the film ends on a cliff-hanger.
The film might have worked much better if the same actress had played both Chelsea and Nicole, so that issues of identity and the extent to which a person can regard his/her appearance as an important part of his/her identity, a part that presumably cannot and should not be replicated, can be explored, even if superficially. This would say something about what Aaron sees in Chelsea that he continues to yearn for. Nicole for her part could have developed her own personality, one perhaps more sensitive and sympathetic to whatever needs Aaron has that he has yet to acknowledge than Chelsea has ever been. Chelsea’s reaction on seeing Nicole needs a better mix of horror, fear and upset.
Disappointingly, one doesn’t really gain much insight about how robots in future will be used to pander to their owners’ whims and how they will represent a commodification of the physical and psychological features and quirks that make a person a supposedly unique individual. What questions might arise when a person discovers his/her doppelganger being used as a sex toy and domestic slave are barely touched upon.