Nanette Burstein, “Hillary (Episode 4: Be Our Champion, Go Away)” (2020)
If the first three episodes of this series on Hillary Rodham Clinton are essentially worshipful hagiography, the fourth and concluding episode descends into outright fantasy. Viewers learn very little new about HRC and especially about her years as Senator for New York and then as Secretary of State during Barack Obama’s first term as US President (2009 – 2013). The episode brushes aside HRC’s voting record as Senator on the wars initiated by President George W Bush (2001 – 2009) in Afghanistan in late 2001, soon after the World Trade Center attacks, and then in Iraq in 2003. The not so little incident of US Ambassador to Libya Chris Stevens being ambushed and killed along with three other Americans in the consulate in Benghazi, eastern Libya, by terrorists is also treated quite cavalierly. Nothing is said about HRC’s role in allowing a context to exist in which four American citizens end up being killed in a small building in a city where one of them, a US Ambassador, is not expected to be. What was Stevens doing in Benghazi anyway – surely not running guns and jihadi fighters to Syria? Similarly nothing is made of the overthrow of a legitimately elected government in Honduras in 2010 or in Libya in 2011, the latter to which HRC, while being interviewed, cackled and said, “We came, we saw, he [Libyan leader Colonel Muammar Gaddhafi] died!” On top of this inattention to the issues that Americans are most concerned about – issues about public servants being accountable for their decisions and behaviours, and upholding the law – is the breezy dismissal of HRC’s use of a private email server with poor cyber-security to transact government business, of which much was in the public interest.
The episode brings viewers up to date with HRC’s decision to campaign for the US Presidency in 2016 and her campaign’s emphasis on gender politics, portraying HRC as a champion for feminism and a victim of institutional misogyny, and especially of her Republican rival Donald Trump (with whom the Clintons had previously been friendly), while saying nothing about what her campaign actually stood for in the eyes of the voting public. This narrative is pounded again and again in each of the episodes in this series. As might be expected, nothing is said about the women harmed by Bill Clinton while he was Governor of Arkansas and then US President by his actions toward them, or about his frequent trips to notorious financier Jeffrey Epstein’s private island for trysts with underage teenage women.
The breathless format of the series, in which viewers are forced to sit through constant swinging from HRC’s 2016 Presidential campaign to particular episodes of her earlier life and back again, might be designed deliberately to sweep viewers off their feet into a rollercoaster ride through HRC’s life, not allowing them to step back and have the distance to view HRC’s life, decisions and actions more dispassionately and critically. HRC is constantly portrayed as a fighter and battler to get where she is when in fact it would seem much has actually been handed to her through her husband’s associations and past career. Significantly the series ignores much of her career as New York state senator or US Secretary of State – because the truth is, she achieved nothing worth celebrating that fits in with a paradigm that sees her as a feminist champion and achiever. Her major achievements have actually brought ruin, chaos, violence and death to many millions of people around the world.
The attempts to smear Donald Trump with accusations of Russian collusion to gain the US Presidency and Russian President Vladimir Putin as a soulless character who will always be nothing more than a KGB man, with no evidence to back up such insults, demonstrate the shallowness of Burstein’s subject. That Burstein simply agrees with HRC and follows along, instead of probing these issues and challenging HRC, reveals the series as essentially propaganda of a very mediocre standard. HRC herself is an uninteresting subject for a documentary: smug, self-serving and expecting the world to revolve around her.