The Thin Blue Line: a subjective film on subjectivity and a film on injustice that led to justice
Errol Morris, “The Thin Blue Line” (1988) Originally intended to be a documentary about another
Errol Morris, “The Thin Blue Line” (1988) Originally intended to be a documentary about another
Latin American Films (Spanish language)
Fabián Bielinsky, “El Aura / The Aura” (2005) While promoting this film, Fabián Bielinsky died from a
French and French-language Films
Roman Polanski, “Frantic” (1988) For a film proclaiming itself “Frantic”, this suspense thriller is surprisingly
Multi-media Presentations | North American Films
Ray Younis, “On Meaning and Purpose: ‘Blade Runner’ Frame by Frame” (The University of Sydney
Seijun Suzuki, “Branded to Kill / Koroshi no Rakuin” (1967) After his previous gangster flick
Seijun Suzuki, “Tokyo Drifter / Tokyo nagaremono” (1966) A tale of larger-than-life characters grappling with
British Films | French and French-language Films | German and German-language Films
Roman Polanski, “The Ghost Writer” (2009) Circumstances surrounding this film were peculiar enough in themselves:
Cy Endfield, “Hell Drivers” (1957) An interesting and very much under-rated example of 1950s British
Chinese and Chinese-language Films
Andrew Lau and Alan Mak, “Confession of Pain” (2006) Ain’t no bad time like Chinese
Alan Crosland Jr, “The Wild, Wild West (Season 2, Episode 13: Night of the Skulls)”