Diplomatic Viruses: a deeply disturbing film about a US military laboratory in Georgia

Diljana Gaytandzhieva, “Diplomatic Viruses” (Al Mayadeen, 2018)

Bulgarian journalist Diljana Gaytandzhieva gained fame early in 2018 for uncovering and reporting on shipments of weapons from EU countries through Azerbaijani airline Silk Way Airlines to Saudi Arabia and other Middle Eastern countries, some of which later turned up among terrorists in Syria, over a period from 2016 onwards: for this reporting, she was sacked by her Bulgarian newspaper employer. Recently Gaytandzhieva has been in Tbilisi, Georgia, interviewing residents living near the Richard Lugar Research Center, a military laboratory currently being utilised by the US Department of Defense, and hearing their complaints of smells and strangely coloured smoke emanating from that facility at night, and of pollutants smelling like rotten eggs being piped through their neighbourhood and into local waterways from the facility. Through her interviews and gaining access to documents from insiders, Gaytandzhieva finds that the facility is being used by the US government to research biological and chemical weapons, and that disease pathogens, mosquitoes and various chemicals are being transported as diplomatic cargo to the facility by people from the US embassy in Tbilisi. She attempts to get access to the laboratory and to speak to an entomologist apparently working there but is constantly rebuffed and threatened. At one point during her stay in Tbilisi, she is locked in her rented apartment and is forced to call emergency services to help her get out.

This documentary, filmed for Al Mayadeen TV news channel, and narrated by Patrick Henningsen (of 21Wire) off-camera, follows Gaytandzhieva closely as she uncovers one disturbing fact after another. Why is the US ferrying frozen human and disease pathogens as diplomatic cargo to the Lugar Center laboratory? Why is there an entomologist (Joshua Bast) working there? Is there research being done on dangerous mosquito-borne diseases? Is there a connection between the work being done at the Lugar Center and an outbreak of Crimea-Congo haemorrhagic fever in Georgia back in 2014/5? Residents living near the Lugar Center mention four Filipino nationals being seriously injured and two of them dying: were these four people poisoned by dangerous chemicals at the facility? Why are researchers at the Lugar Center collecting DNA and RNA samples from Russian people? Why are there private companies also using the resources at the Lugar Center and what are their interests in doing so? Why did the Georgian government sign an agreement with the US Department of Defense in which Georgia has to give up control over what happens at the Lugar Center and over what researchers, government and private alike, do with effective diplomatic immunity?

To Gaytandzhieva and the Russian government, what the US is doing at the Lugar Center and in other laboratories in over 20 other countries is conducting research and experiments in biological and chemical weapons, often using human tests subjects, even communities, without their consent and with often dire consequences for neighbourhoods and even whole small towns surrounding these laboratories. In recent years since the US established military research labs in Ukraine, the number of exotic disease outbreaks including outbreaks of botulinism poisoning has risen alarmingly.

That the US is collecting and presumably testing DNA and RNA samples taken from Russian people should be of great concern: do the Americans plan to create a virus or bacterium that will target Russian Federation nationals but no-one else. How do the Americans propose creating a disease that targets specific ethnic grops but not any other? What they are doing is impossible in the case of Russians because Russians have absorbed many populations in the past. Would the US have any control over the pathogen once it starts to spread into the general population? (Would the Americans even care?) The documentary digs fairly deep into a number of issues and while you may feel quite confused, the clear voices, the steady pace and interviews with former CIA workers who knew Olson make this documentary straightforward and easy to follow.

This is a very worthwhile and important video to watch. Gaytandzhieva has done an excellent job at great personal risk to herself.

Biological Weapons & Experimentation on Humans (Frank Olson): echoes of 1953 death of CIA scientist still reverberating today

Egmont R Koch and Michael Wech, “Biological Weapons & Experimentation on Humans (Frank Olson)” (2002)

Recent news of the death of Chinese physicist Zhang Shoucheng, supposedly through suicide by falling from a building, on 1 December 2018, the same day Sabrina Meng Wanzhou, chief financial officer of telecommunications / electronics company Huawei,  was arrested by Canadian authorities in Vancouver at the bequest of the United States on vague charges – before the two were due to attend a dinner at the G20 summit in Buenos Aires, Argentina – jogged my memory of having read about the death of a CIA scientist in similar circumstances more than a century ago. I had forgotten the name of the scientist but remembered he had been drugged with LSD by fellow CIA researchers without his consent some time before his death. Armed with those details, I did a search on DuckDuckGo and Google and very quickly found what I wanted: information on the death of Frank Olson in November, 1953, in circumstances eerily similar to those in which Zhang died – in Olson’s case, falling through a window on the 13th floor of a New York City hotel and onto the pavement below.

More than 20 years later, in 1975 the Rockefeller Commission released some of the details of the CIA’s notorious MKUltra project, a series of experiments aimed at mental manipulation of human subjects to weaken their resistance to questioning, and the US government admitted that Frank Olson had been doped with LSD. The Olson family pushed to sue the CIA; instead the US government offered them $750,000 and the then President Gerald Ford and the CIA apologised to them. In 1993, Frank Olson’s body was exhumed and an autopsy (the second one done on him; the first had been done soon after his death) determined that, in contrast to the results of the first autopsy, no cuts were present but instead Olson’s head and chest had suffered blunt-force trauma severe enough to have killed him before his body was tipped through the window. In 1997, the CIA inadvertently declassified the 1953 edition of its notorious assassination manual which among other things, suggested that … The most efficient accident, in simple assassination, is a fall of 75 feet or more onto a hard surface …In chase cases it will usually be necessary to stun or drug the subject before dropping him …, itself eerily close to the way in which Olson died. With this information, the Olson family sued the CIA in 2012, without success.

Koch and Wech’s documentary investigates the circumstances in which Dr Olson was drugged and killed, and traces his career as a biological researcher at the US Army Biological Warfare Laboratories and then with the CIA. This work took him through some very murky activities with both employers: Olson worked on the US bio-weapons program, experimenting with anthrax among other disease-causing agents, and later was drawn into the CIA’s Project Artichoke program (which investigated interrogation methods that could force people to confess and which included the use of LSD, forced morphine addiction and withdrawal, and hypnosis) and Project MKUltra. Olson became troubled by the direction the research was going into – the research included drugging people and subjecting them to painful physical and psychological torture – and wanted out. His superiors realised he had become a security risk and plotted to get rid of him. The film then starts to jump back and forth between 1953 and 1993, comparing the results of the second autopsy with those of the first, and discrepancies between them being observed. The film details Olson’s last overseas trip to Berlin where he appears to have done some private research on past CIA activities in Germany during World War II and Soviet methods of interrogation. This trip took place against the background of the Korean War, during which the CIA tortured POWs by injecting or threatening to inject anthrax – the very bacterium Olson had experimented on years before – into them. From this point on, the documentary follows the way in which the US government continued (and still continues) to lie about Olson’s death and avoid admitting responsibility and paying proper compensation to his family.

If one compares the circumstances surrounding Zhang Shoucheng’s death – like Olson’s death, also recorded as a suicide caused in large part by depression (which in Olson’s case could have been brought on by LSD ingestion) – one finds they are also quite suspicious. A tenured physics professor at Stanford University, Zhang was noted for his work in quantum physics (with applications for the global semiconductor industry) and was predicted by some to be a future Nobel Physics Prize laureate. He was also a founder of Danhua Capital aka Digital Horizon Capital, a venture capital fund investing in early-stage and growth-stage technology start-ups in Silicon Valley. Danhua Capital itself is funded by Zhangguancun Development Group, an entity owned by the Chinese government which invests in technology innovations. This background and connection to the Chinese government might have been enough to put Zhang on the radar of a US government agency suspicious of any secret  Chinese attempts, whether real and imaginary, to steal American cyber-knowledge and codes and transfer these to China through Chinese nationals like Zhang working and teaching in the US.

At the same time, the US government is irked that Huawei, being based in China rather than the US, is less amenable to communications ranging from suggestions to requests to threats that it allow US intel and military agencies to gain access into the software in the IT equipment it sells to gather information that could be later used by the Americans to blackmail people or generate disinformation. To this end, the US has persuaded its Five Eyes partners Australia and New Zealand, and Japan as well, to ban Huawei from supplying equipment for their 5G mobile networks. With Canada now having arrested Meng on charges relating to Huawei trading with Iran (under US economic sanctions), one expects that she will be used as a hostage in China-US trade talks by the US to pressure China to force Huawei into accepting back-doors into its equipment. This behaviour is the kind of sordid horse-trading expected of head-chopping takfiris terrorising civilians in parts of the Middle East.

Incidentally on the same day that Meng was arrested and Zhang died, a factory owned by Dutch tech company ASML, specialising in extreme ultraviolet lithography technology (used in the production of the next generation of semiconductors by Chinese, US and South Korean tech manufacturers), caught fire. This led to ASML advising of delays in supplying this technology to its customers in early 2019. One of these customers is semiconductor maker SMIC which is partnered with Huawei, Qualcomm and Belgian company IMEC to build China’s most advanced integrated circuit research and development programme.

The very strange occurrence of three seemingly unrelated incidents, their connections only becoming clear once the background context to them becomes known, on the same day, and one of these incidents bearing an uncanny resemblance to a death whose causes are still unsolved 65 years after it occurred, is sure to spark off conspiracy theories speculating on who or what may be responsible for them. It is likely that just as Frank Olson’s death continues to be the subject of controversy and his family continues to struggle for justice and closure, so too Zhang Shoucheng’s death will be shrouded in speculation and disinformation. The consequences of what transpired on 1 December 2018 are likely to be very far-reaching as well, not least because Meng’s arrest and the harassment of Huawei raise issues of sovereignty for the Five Eyes Anglocentric nations and their independence. 

How a new empire of global finance was created in “The Corbett Report (Episode 349: The WWI Conspiracy – Part Three: A New World Order)”

James Corbett, “The Corbett Report (Episode 349: The WWI Conspiracy – Part Three: A New World Order)” (November 2018)

This third and last episode examines how World War I was used by British and American elites to reshape global politics and society, including the global economy, in their favour; and in the process destroy empires and an entire generation of young men across Europe, North America and other parts of the world, and bring about new polities, political ideologies and movements with consequences that still survive to this day. Among other outcomes, World War I destroyed the empires of Germany, Austria-Hungary and the Ottoman Turks, either replacing them with weak, unstable states that would later adopt extreme nationalist, even fascist governance, or subjugating their territories to British and French rule that divided them with artificial borders or introduced or encouraged new foreign settlement that itself would result in new conflicts of unrelenting brutality and violence and ongoing instability. The key message of this episode is that not only is war a tool of elites to steal other people’s wealth and territories but is also a tool to reshape society and beliefs and to rewrite histories and traditions to benefit themselves (the elites, that is). Among other things, World War I enabled governments to assert greater control over manufacturing and industry, to mould and direct public opinion by censoring the media and controlling literary, artistic and film output, and (in some countries) to introduce new taxes such as income tax on the general public.

Again with James Corbett’s clear and distinct voice-over narration, easy to follow and to understand, and with archived film footage as a backdrop to his narration, the documentary traces the way in which the Great War fulfilled, for the most part, the goals and ambitions of a Deep State within the British government (and which spread into the US government) in which the United States would be brought back into the British empire as the first step towards ultimate British domination of the world. By installing Woodrow Wilson as President of the United States, American financiers gained financial control of the US economy and of European powers at war by acquiring (through the Federal Reserve) the power to print money, by imposing income taxation and lending huge sums of money to European imperial governments. After 1913, American financiers profited from war financing and gaining ownership and control of major corporations and industries, setting production quotas, standardising products and product lines, fixing prices and developing psychological warfare techniques that would later become useful in mass advertising and public relations.

After 1918, the supposedly victorious European powers Britain and France found themselves so much in hock to Wall Street that in order to pay off their loans, they forced a defeated Germany and its weak new government to submit to paying heavy reparations under the Treaty of Versailles, setting that nation up for political and economic instability and the rise of extremist fascist politics that would dominate Germany. The new post-war financial arrangements also made Europe and Germany in particular vulnerable to the unstable business cycles that dominated the American economy under bankster rule; thus when the Great Depression hit the US in 1929, its effects spread to Europe as well.

The documentary digresses into a brief discussion of how the British and the German governments apparently encouraged Vladimir Lenin and Leon Trotsky in their plans to install a socialist government in Russia and even gave them assistance: the German government allowed Lenin and other revolutionaries to travel by train through German territory to Petrograd (formerly Saint Petersburg, later Leningrad); and Trotsky was briefly detained in Halifax, Canada, by the British while travelling from New York back to Russia in early 1917 after Tsar Nicholas II was forced to abdicate and the Russian monarchy was abolished. The documentary insinuates that Trotsky may have been used (perhaps willingly, perhaps not) as a pawn by the British though the Wikipedia entry on Trotsky states that the British government released him from imprisonment in Canada after protests by the socialist Menshevik government in Russia. After the Bolsheviks overthrew the Mensheviks in November 1917, Trotsky published “The Secret Treaties and Understandings” that the Russian imperial government had signed with Britain and France to divide up the territories of the defeated Axis powers among themselves. These agreements included the infamous Sykes-Picot Agreement which parcelled much of the Middle East between Britain and France, creating new colonies with artificial borders that divided the Arab peoples from one another, and which enabled the British to carve out territory in Palestine for a future Jewish state under the Balfour Declaration, itself initiated by Lord Walter Rothschild who had been a financial backer of Cecil Rhodes, one of the originators of the project to drive the West to war to isolate and destroy Germany and bring the US back under British imperial rule. Thus was the Middle East set on a road leading to repressive and brutal dictatorships, the corruption of Islam by a fundamentalist sect, constant political instability caused by foreign interference and the ongoing brutal genocide of the Palestinians by Israel after its founding by Zionist Jewish settlers in 1948 through acts of terrorism against the British.

Perhaps the saddest and most tragic part of this episode – and indeed of the entire series – comes at the very end when war ceases abruptly in November 1918 and an entire generation of young men, knowing only war and nothing else, suddenly discovers that its life purpose has ended and from then on, its continued existence has no meaning.

This series dovetails with other documentaries and articles I have seen which posit that the British empire has never really ended but has instead mutated into an abstracted global financial empire that continues to brainwash people through dangerous political, economic and social ideologies that keep them divided and weak, and which continually attempts to penetrate those countries such as China, Iran and Russia for their lands and resources by demonising them in attempts to convince people around the world that these nations pose a threat and their governments should be overthrown, by force if necessary. Much recent American politics (at least since 1945) and foreign policy becomes understandable if one assumes that the US has been acting as an extension of the British global financial empire, and moreover is used by that empire to abuse Britain and Europe alike through the European Union. The continuous march towards war against Russia (a nation Britain has hated since the 1700s) and its allies in Iran and Syria who have defied Western regime-change attempts, and the accompanying global propaganda project involving most countries’ news media and cultural industries, should be seen in this context as well.

Apart from the insinuation that the Bolsheviks were tools of the Wall Street elite – it’s more likely that Lenin at least and his followers were happy to use whatever help they could get, wherever it came from, to advance their own aims and agenda, and the idea of using capitalists’ money against their sources would have appealed to the Russians – this documentary series seems fair to me.

 

The rise of Wall Street and the American Deep State in “The Corbett Report (Episode 348: The WWI Conspiracy – Part Two: The American Front)”

James Corbett, “The Corbett Report (Episode 348: The WWI Conspiracy – Part Two: The American Front)” (November 2018)

Having established in Part 1 that a Deep State within the British government in the late 19th and early 20th centuries, with connections to the monarchy and the civil service, connived to isolate Germany through propaganda and by forming alliances with nations on either side of that country, this three-part series continues with all the major European powers now at war after mid-1914, Germany having to fight enemies on two fronts on its western and eastern borders, and all opposing sides bogged down either in trench warfare in the west or ineffective leadership and strategies leading to constant back-and-forth exchanges of territory in the east. In the west, with both the British, French and German forces locked in stalemate, and all losing hundreds of thousands of soldiers in trench warfare, the British government connived with American financiers to get the American people involved in fighting the war against Germany. Part 2 examines how the groundwork was laid to push the US into allying with Britain and France to fight Germany in World War I well before the war even began.

The work begins with wealthy American banker John Pierpont Morgan and his allies in the US finance industry supporting obscure Princeton university professor Woodrow Wilson as Presidential candidate in the 1912 elections and ensuring that he wins by using former President Theodore Roosevelt as a third party candidate to split the Republican vote. Once in, in 1913 Wilson approves the passage of the income tax act and the Federal Reserve Act which creates the Federal Reserve as a central bank with Morgan and several of his friends as shareholders. From then on, these bankers would be in charge of printing money and would charge the government interest on any money it borrowed from the Federal Reserve. Several of these men were members of the Milner Group, that secret organisation formed by William T Stead, Reginald Brett and Cecil Rhodes, which had worked to influence the British government to make Germany an enemy and to turn the British people against Germany, and the American and British members of the Group plotted to turn the American people against Germany through extensive news propaganda – even though most Americans at the time, being of Irish or Germany descent, were opposed to Britain – and to create a pretext to bring the United States into fighting a European war.

The pretext comes with Britain’s war against Germany on the high seas in the North Atlantic, with Britain enforcing a trade blockade against Germany that eventually leads to widespread starvation in that country. Because of this blockade and other trade sanctions against it, Germany resorts to submarine warfare against British merchant shipping. In May 1915, Germany torpedoes the British passenger liner RMS Lusitania, resulting in the deaths of nearly 1,200 passengers and crew, including 128 Americans. The incident helped to turn American public opinion against Germany. In 1916, Wilson was re-elected President, riding high on propaganda that he had kept the US out of war. In April 1917, after continued German submarine warfare on merchant shipping in the North Atlantic (including US merchant ships), the Germans having become desperate due to the prolonged blockade, Wilson declares war on Germany and the US governt begins conscripting and training men to fight in the battlefields of northern France.

Again the documentary does a good job presenting its case that Wall Street financiers and banks created a situation in which they were able to select their own preferred Presidential candidate and install him as President by weakening his opposition, and then connived with their British partners to put a cruise ship and its passengers and crew in harm’s way to pressure Washington DC into agreeing to join the war in Europe. Archival film footage and photographic stills including cut-outs of significant personalities flesh out the voice-over narration and the whole film proceeds at a leisurely pace. Interviews with historians go into considerable detail on how the US government ignored the British blockade of Germany – clearly a war crime – and ignored British interference with American merchant shipping but castigate the Germans for blowing up British merchant ships carrying munitions if American citizens happen to be on board.

In this documentary, the way in which a secret cabal not only gains power behind the British government but also gains power behind the American government, and moreover uses that power to control America’s money supply and money creation functions, to potentially hold the American government and the American people to ransom by demanding interest payments on loans to the government, and (later) to influence post-war European politics and German reconstruction, resulting in the spread of the Great Depression and paving the way for Adolf Hitler to gain power in Germany, is made very clear.

Perfidious Albion’s road of deception and underhand scheming to global war in “The WWI Conspiracy – Part One: To Start A War”

James Corbett, “The Corbett Report (Episode 347: The WWI Conspiracy – Part One: To Start A War)” (November 2018)

At this time of writing, a century has passed since World War I ended, and swept with it into history beliefs in never-ending scientific and technological advancement and empires in Europe (Germany, Austria-Hungary, Russia). An entire generation of young men was brutally destroyed with grave repercussions for societies across the world that would last for decades to come (and which may still do, in the form of politically conservative societies and cultures with mediocre political cultures and leaders). Yet the ultimate causes of that war remain as puzzling and controversial as they did one hundred years ago.

The conventional narrative of what led to World War I – the various alliances formed by the major European powers that eventually fell into two opposed sides, each jealous of their own political, economic and military power; the competition among these powers for more resources and hence more territory; the nationalism of various ethnic groups in central and southeast Europe, governed by a weak Ottoman empire, which could be exploited by its enemies; the assassination of the Archduke Franz Ferdinand, heir to the Austro-Hungarian empire, and his wife by a Serbian nationalist in Sarajevo in 1914 – is well known but does not explain why an incident in a small provincial town should have been the tinderbox event that set off a series of chain-reaction events resulting in all-out war. This documentary, the first of a three-episode series made by The Corbett Report, looks at the background of historical events and trends beginning in the early 1890s, when in 1891, three men – the diamond magnate Cecil Rhodes, newspaper editor William T Stead and aristocrat Lord Esher (Reginald Brett), a confidant to Queen Victoria and later King Edward VII and George V, met to discuss and form a plan to extend British rule throughout the world and reclaim the United States as an integral part of the British empire.

The plan which also involves the formation of a secret society, complete with an inner circle privy to esoteric knowledge and an outer circle of helpers who will be allowed to know only what is necessary for them to be of value, sounds completely outlandish but as the documentary outlines, it is carried out very cleverly and progressively, spanning two decades, co-opting Russia and France as allies against Germany, Britain’s main political, military and economic rival, and with the collusion of the British press. Firstly, the funding of the plan is secured by the British waging war against the Boers in southern Africa that results in the separate colonies and republics in that region becoming one unit (South Africa) under British control, and the gold wealth of that unit coming under the control of the British South Africa Company. The Boer War was incredibly brutal, with over 66,000 civilian casualties of whom 26,000 were Boer women and children who died in concentration camps along with another 20,000+ black Africans out of some 115,000 also interred in concentration camps. Secondly, British news propaganda increasingly paints Germany as a hostile and malevolent enemy seeking to stir up trouble in different parts of the world, even in areas where the British are the actual trouble-makers. Third, the British assist Japan against Russia when war breaks out between those two powers in 1905 by denying the use of the Suez Canal to the Russian naval fleet and forcing it to travel around Africa and through the Indian Ocean up towards Japan; Japan was able to crush an exhausted Russian fleet. In this way, Japan becomes a valuable ally to the British in the Far East.

The documentary presents its case well, that a Deep State formed within the British political establishment in the later 19th century and schemed to create conflicts, even wars, to achieve its goal of isolating Germany and targeting that nation for war. The voice-over narrative is delivered at a fairly leisurely pace and interviews with historians back up the documentary’s premise. Archival film footage, photographs and maps of the period help to delineate the world in which European imperial powers dominated all continents.

I would add only that the British desire to put the United States into its proper place as a colony within its empire preceded the machinations of Cecil Rhodes and his fellow conspirators; the British are known to have assisted the Confederate States of America during the US Civil War (1861 – 1865) to ensure the break-up of the US into two weak states that could easily be dominated by a foreign power.

Though the events covered by the documentary occurred over 100 years ago, they are worth viewing as the strategy used by the British to demonise Germany is much the same as the current British-American strategy to demonise and isolate Russia. Again, the English-language news media is being used to suppress truth and to incite public hostility against Russia and its allies in Asia and the Middle East.

Why ‘Wonder Woman’ is Banned in Lebanon: taking a stand against propaganda that denies history and exalts violence and brutality

Nora Barrows-Friedman, “Why ‘Wonder Woman’ is Banned in Lebanon” (Electronic Intifada, 8 June 2017)

With every passing year, the commercial movie industry in the United States, popularly known as Hollywood, reveals itself more and more as the propaganda arm of US foreign policy, and nowhere is this more obvious than in the spate of superhero movies, based on characters in comics published by DC Comics and Marvel Comics. The Batman / Dark Knight trilogy of films directed by Christopher Nolan insinuates that in order for good to triumph over evil, good must stoop to the level of evil (including the killing of innocents as “collateral damage”) and promotes the cynical notion that societies can only function if their citizens are persuaded to believe lies – because knowing the truth would inevitably lead to chaos. These and other superhero films fetishise technology and violence, in the process disdaining character development and sticking to stereotyped plots and narratives that reject diplomacy, compromise and co-operation between opposed forces, preferring instead to solve problems with overwhelming force.

In this context, the casting of a former Israeli soldier, who participated in Israel’s war against Lebanon in 2006, and who supported and praised the Israeli Defense Forces in their pounding of Gaza in mid-2014, as the superhero Wonder Woman in a film of the same name in 2017 takes Hollywood and the superhero movie genre to a new low. Hollywood’s use of Gal Gadot as Wonder Woman represents a tacit acceptance of Israel’s ongoing war against the Palestinians and Lebanon. No wonder that Lebanon – admittedly after much prompting from its own activists – banned the screening of the Wonder Woman movie in its cinemas, in line with a law banning transactions that involve Israeli partners which “normalise” or implies acceptance of past Israeli actions or policies that oppress Palestinians and people living in territories neighbouring Israel.

In this interview hosted by Electronic Intifada, reporter Nora Barrows-Friedman speaks with academic and activist Rania Masri who explains why the ban on “Wonder Woman” is a boycott and not an example of censorship. Masri calls attention to the settler movement in Israel which continually encroaches on Palestinian lands and forcibly ejects Palestinians from them with approval and support from the Israeli government. She also reminds listeners that Israel also threatens people in the Shebaa Farms region in southern Lebanon bordering Israel, and people in Syria’s Golan Heights region. Masri then turns her fiery ire onto the English-language press which has deliberately misrepresented the Lebanese ban on “Wonder Woman” as censorship and left out the context surrounding the Lebanese decision.

Masri emphasises that the people now known as Syrians, Lebanese and Palestinians were one before World War I and were separated when their lands were divided and claimed by Britain and France as colonies in the 1916 Sykes-Picot agreement. It was as a result of this agreement that the Zionist movement in Palestine, enabled by the British who thought to use the Zionists as their sheriffs in the Middle East to keep watch over the Arab peoples, took deeper root especially after the Balfour Declaration in 1917, eventually giving rise to the founding of Israel in 1948 after the bombing of the King David Hotel in Jerusalem by the Irgun terrorist gang in that year. How galling it would be for Lebanese audiences to watch a film in which the star is not only a former soldier and a proud patriot of a country that still seeks to destroy Lebanon, but is also a reminder of the forced separation of the Arabs in the Levant which deliberately weakened them and subjected them to a subservient role in their own lands.

Left out of Masri’s argument is other reasons why films like “Wonder Woman” are propaganda: they help promote the idea of the United States as an exceptional nation, as they espouse values and behaviours considered typically American, with the result that those who resist the US must want to destroy all that the US supposedly represents and defends; and they flatten history, especially recent history, and drain it of context so it has nothing to teach audiences or to encourage them to think about what they have seen. Masri could have included these reasons in her criticism but perhaps time did not permit and Barrows-Friedman had quite a list of questions to ask her.

The Lobby (Episode 4: The Takedown): exposing a brazen suggestion to get rid of a politician

Clayton Swisher, “The Lobby (Episode 4: The Takedown)” (Al Jazeera, 2017)

In the last episode of Qatar TV station Al Jazeera’s series on Israeli infiltration of British politics and in particular the British Labour Party, Al Jazeera’s undercover reporter Robin is being urged by Shai Masot, senior political officer with the Israeli embassy to form a new activist lobby group called the Young Labour Friends of Israel. Viewers can assume, from information in previous episodes, that Masot will assist Robin financially and direct him to people who will advise Robin on what to do and on details of the pro-Israeli agenda the YLFI will be adopting – as long as Robin and the rest of the organisation he will be chairing stay mum on any connections the YLFI will have with the Israeli embassy. Indeed, Masot goes to considerable length to explain to Robin that he (Masot) cannot be seen to be linked to the new organisation in any way – because such a connection violates British law.

From here on, we hear no more of the YLFI or of Robin’s activities for or with that organisation but the episode picks up where Episode 3 left off in pursuing what happens to Jean Fitzpatrick after her unpleasant encounter with Joan Ryan who reports her to senior Labour Party officials for making “anti-Semitic” statements. Fitzpatrick is subjected to an investigation which eventually clears her name but not before causing her considerable distress.

The rest of Episode 4 focuses on Robin’s meetings with British public servant Maria Strizzolo and Shai Masot. Strizzolo, an aide to MP Robert Halfon, happily admits that the Israeli embassy tries to influence and direct British political culture by insinuating itself with party whips who keep order and discipline within their respective parties and alert MPs to attend parliamentary sessions when debating and voting on legislation is taking place. Robin also attends a meeting held by the American Israeli Public Affairs Committee (AIPAC), the largest pro-Israeli political lobby organisation in Washington DC, in London. AIPAC’s aim is to encourage and ensure that the UK’s policy on Israeli affairs matches that of the US. What is most alarming though is that at one of Robin’s meetings with Masot, Masot proposes setting up a front company to fight the Boycott-Divest-Sanction (BDS) movement and to “take down” British politicians known for supporting the rights of Palestinians. Masot mentions the name of one particular politician whom he would like to see gone.

That the Israeli embassy would employ people who not only seek to influence and direct British politics but also try to get rid of politicians and members of political parties is astonishingly brazen and makes Israel a major threat to British national security. When this episode aired in Britain, Labour Party leader Jeremy Corbyn complained in an open letter to the Prime Minister and urged her to open an inquiry into the incident. The Israeli ambassador to the UK apologised for Masot’s remark. Masot himself resigned from the embassy and was recalled to Israel. Strizzolo also resigned from the UK civil service. That Theresa May’s government took no further action against Israeli embassy staff or Israel – yet is happy to throw out Russian embassy staff over a poisoning incident involving a Russian traitor spy and his innocent daughter for which it has no proof of Moscow’s culpability – demonstrates its stupidity and incompetence.

At this point, viewers learn nothing more about Robin or the group he was supposed to have set up. Being the final episode, “The Takedown” might reasonably be supposed to clear up most loose ends of what had been begun in earlier episodes. Googling for information on the Young Labour Friends of Israel, I found nothing so that particular abomination presumably stays stillborn.

The entire series has been informative, even if on a fairly superficial and somewhat confusing level. It does not claim to be the definitive summary of how Israel seeks to influence and mould British politics and political culture to its liking. Doubtless there may be other ways the Israeli government tries to inveigle its way into Westminster. At the very least, a scalp has been claimed – but this does not mean the Israelis will not be deterred from what they are doing.

The Lobby (Episode 3: An Anti-Semite Trope): how small-minded cult-like behaviour threatens democracy and citizens’ rights to free speech

Clayton Swisher, “The Lobby (Episode 3: An Anti-Semite Trope)” (Al Jazeera, 2017)

In this third episode of the four-part series focusing on the Israeli government’s infiltration of political parties and grassroots political movements in Britain, the emphasis shifts away from Al Jazeera’s undercover reporter Robin (who is posing as a pro-Israeli activist ingratiating himself with activists in the pro-Israeli lobby) and to UK Labour Party member Jean Fitzpatrick who is attending the UK Labour Party conference in Liverpool. She strikes up a conversation with people at a Labour Friends of Israel booth at the conference and asks two LFI representatives on how Israel will implement a two-state solution that will suit both Israel and the Palestinians. The representatives either avoid the question or spout tired old rubbish about how the security situation in Israel must improve before work can begin on the two-state solution or how Israel has the issue in hand and is proceeding slowly but steadily. No answer satisfies Fitzpatrick so she repeatedly presses the issue. At last one LFI booth representative (and British Labour Party politician) Joan Ryan cuts off Fitzpatrick and refuses to debate any more with her. Fitzpatrick drifts away and Ryan decides to report their exchange to LFI and other associated pro-Israeli flacks as “anti-Semitic”. One things leads to another and yet another, and it’s not long before Fitzpatrick discovers she is under investigation from her own party for supposedly “anti-Semitic” behaviour at an information stall at the Labour Party conference.

The way in which an argument (about whether the Israeli government is dragging its heels over developing a two-state solution that helps all parties involved in the ongoing conflict between Israel and Palestinians) is deliberately exaggerated and blown up into an insidious and ridiculous “anti-Semitic” rant would be deserving only of egg-throwing derision and scorn were it not real. The reactions of Ryan and her fellow pro-Israeli activists (including the Israeli embassy’s senior political officer Shai Masot) can only be described as stupid, deranged and cruel. Fitzpatrick had not expressed a personal opinion about Jewish people or individuals and her initial question had concerned only the Israeli government’s deliberate delay in carrying out the two-state solution. The fact that Ryan could exaggerate aspects of her exchange with Fitzpatrick, twist those aspects into a fairy-tale and then expect her fellow LFI members and others who support her to accept her lies uncritically and without demanding proof shows the depth of deranged idiocy and the narrow-minded and uninformed viewpoints of her intended audience. Ryan and her pals in LFI and other pro-Israel groups repeatedly turn over her exchange with Jean Fitzpatrick among themselves and in their own minds to the point where the reality and actual subject matter of that exchange disappear in their feverish imaginings, to be replaced by their own small-minded fantasies about how Jewish people are continually being harassed and hounded out of whichever communities they live in, in countries where by and large Jewish people and communities rarely suffer discrimination at present.

Robin attends and records other events at the conference but few have the fire of Fitzpatrick and Ryan’s debate. As usual the oily Shai Masot works his crowd by appearing to offer support or money, or bringing together people from different pro-Israeli organisations. In further interviews, Fitzpatrick expresses concern that her encounter with Ryan is endangering her party membership and her fear that other consequences that might threaten her personal affairs may also follow.

This episode demonstrates the real menace that Israeli penetration of political and grassroots activist organisations and movements poses to democracy (or whatever is left of it in Britain) and to ordinary Britons’ right to free speech. Distressingly, when Al Jazeera later asks Joan Ryan about her argument with Fitzpatrick, Ryan continues to assert that any form of “anti-Semitism”, which in her mind covers any criticism or opinion that suggests the Israeli government is less than squeaky-clean angelic in whatever it does, is unacceptable and she will continue to speak out against it at the risk of inviting other people’s judgements on her intelligence. Ryan’s behaviour and the way in which other pro-Israeli activists collude and encourage that behaviour, and exaggerate incidents, building them into something outrageous and entirely untrue, suggest a cult-like mind-set cut off from reality and reason.

The Lobby (Episode 2: The Training Session): undercover investigation reveals fanaticism and sociopathy

Clayton Swisher, “The Lobby (Episode 2: The Training Session)” (Al Jazeera, 2017)

Continuing on from Episode 1 “Young Friends of Israel”, in this episode Al Jazeera’s undercover investigator Robin discovers more about how far the Israeli government seeks to influence and mould British political policy to favour its own policies with regard to how it treats Palestinians in the territories it occupies and its ambitions and agenda in the Middle East, through the Israeli embassy’s meddling in the affairs of the Labour Party (UK) and in particular the youth organisations and other movements connected to it. Here, the focus is on the party conference held in Liverpool and the activities the Israeli embassy (through its senior political officer) engages in with various activists already embedded in organisations like Labour Friends of Israel and We Believe In Israel to lobby Labour Party attendees. Having already ingratiated himself with these activists, Robin is tasked with setting up a new youth movement, the Young Labour Friends of Israel (what an imaginative name), attached to the Labour Party and to liaise with other pro-Israeli activists to help promote the movement.

The narrative tends to jump and chop around, making viewing hard to follow, and Robin’s task in forming the new group is mentioned no further. Enough other things happen during this episode that are sure to stun viewers harder than cows being hit and shocked in abattoirs. One pro-Israeli activist admits to accepting help and funding from the Israeli embassy and then goes on to say that his organisation goes to great lengths to distance itself from Israel to appear “independent”. In another part of the film, several people discuss a plan to form a new group in the UK that will link up with the main pro-Israeli lobby group in the US, the American Israeli Public Affairs Committee aka AIPAC. Much of the film is taken up with a training session at the Labour Party conference which is more or less dominated by pro-Israeli activists lecturing the audience on anti-Semitism: a few attendees are shocked at what they hear and protest that opposition to Israeli government policy and actions and elements of current Zionist ideology does not constitute anti-Semitism. One of these attendees is Jackie Walker, vice-chair of Momentum, and herself of mixed Jewish and black ancestry, who is later interviewed at length in the film.

A truly disturbing moment in the film comes when pro-Israeli activist Ella Rose, director of the Jewish Labour Movement, is rumbled by Electronic Intifada for having held a job with the Israeli Embassy; for this, she is criticised by Jackie Walker on social media (for presumably not having revealed her full work background before applying for the post). Rose’s reaction to Walker’s criticism is to threaten the diminutive Momentum vice-chair with violence. Walker’s shocked response to Rose’s vindictive threat can only be imagined.

The deliberate secrecy and duplicity with which the Israeli embassy representative and his pro-Israeli activist pals plan to infiltrate the Labour Party conference with their propaganda and money (amounting to one million pounds), the evasiveness of the various organisations when later questioned by Al Jazeera over their connections with the Israeli embassy, and the thuggish and hostile response of Ella Rose over her exposure by Electronic Intifada reveal the sociopathic and fanatical mindset these people share and the danger they pose to the Labour Party and British politics generally. Unfortunately, the actions of these pro-Israeli activists and the government that feeds and funds them make this documentary necessary for the rest of us to watch, to remind ourselves of the extremes they may well be prepared to go to, to succeed in their quest.

The Lobby (Episode 1: Young Friends of Israel): how Israel infiltrates youth groups and organisations in Britain

Clayton Swisher, “The Lobby (Episode 1: Young Friends of Israel)” (Al Jazeera, 2017)

In recent years, a movement known as the BDS (Boycott, Divest, Sanction) movement has grown – especially among young people – to protest the Israeli government’s inhumane treatment of Palestinians in Gaza and the West Bank. To counter the BDS movement’s popularity in the United Kingdom, the Israeli government has resorted to penetrating university student unions, grassroots activist movements, think-tanks and youth groups allied to major political parties with propaganda, money and offers of trips to Israel. This first episode of a four-part series focused on the pro-Israeli lobby in the UK follows an undercover reporter, known as Robin, who ingratiates himself with activists in several of these groups and the contacts they have with the Israeli embassy in London.

For a 25-minute documentary, running at a brisk pace, this film is very dense with information on various groups, several of which are connected directly or indirectly to the British Labour Party – the film does not follow equivalent groups affiliated with the Conservative Party which already has a pro-Israeli platform – and in which a number of activists are working with a contact from the Israeli embassy to present a more benevolent and favourable view of Israel and its policies, and to push back “anti-Semitism”, as they define it. Astonishingly, most of these activists know one another and the Israeli embassy contact very well, and have also done some work at the Israeli embassy. Robin is encouraged not only to set up a pro-Israeli group but also to accept a job at the Israeli embassy, which is also interested in recruiting him. This perhaps suggests that these activists form a very small, cliquish network, and their work is likely to be cut out for them trying to convince others to join them. Unfortunately, due perhaps to Robin’s need to keep the real nature of his investigations secret, he does not ask these people how successful they have been so far.

One disturbing aspect of the film comes when two vice-presidents of the National Union of Students (NUS) talk to Robin about getting rid of President Malia Bouattia for supporting the BDS movement and criticising Israeli behaviour towards the Palestinians. One of the vice-presidents is revealed as having accepted a free trip to Israel through the Union of Jewish Students, which itself has received money from the Israeli embassy.

This film sheds a light on how Israel attempts through underhanded ways to influence political discourse on issues affecting not just its own politics but on the politics of other Middle Eastern states. It is worth following to get an overview of how far it will go to advance its own interests by infiltrating student organisations in universities and branches of political parties aimed at encouraging young people to enter politics.