Suicide Club: gory horror flick intended as interrogation of the state of modern Japanese society

Sion Sono, “Suicide Club / Jisatsu Sakuru” (2002) Famous for its controversial premise, full-on gory presentation and an arresting opening sequence of 54 school-girls jumping off a city train platform into the path of an oncoming train, “Suicide Club” is a meditation on the nature of modern Japanese society and its increasing dependence on technology …

True Norwegian Black Metal (Vice documentary): a travel guide into the “world” of a black metal musician

Ivar Berglin and Peter Beste / Vice, “True Norwegian Black Metal” (2007) Despite the title, this short documentary is a brief travel guide into the world of Gaahl, the lead vocalist for the Norwegian black metal band Gorgoroth. Interviewer Ivar Berglin, photographer Peter Beste and one other guy are interested in why Gaahl, born Kristian Espedal in 1975, …

A welcome look at the importance of an independent label in the music industry through “Heavenly Pop Hits: the Flying Nun Story”

Mitchell Hawkes, “Heavenly Pop Hits: the Flying Nun Story” (2002) A long overdue and welcome survey of a particular music scene at a particular time in a country that’s long been a minnow in global youth culture and music is this documentary about the New Zealand record label Flying Nun Records. Founded in 1981 by …

Modulations, Cinema for the Ear: boring and direction-less survey of electronic dance music genres from 1970s to 1990s

Iara Lee, “Modulations, Cinema for the Ear” (1998) Billed as a history of electronic music and music technology in the 20th century. “Modulations …” turns out to be a survey of various electronically-based dance music genres from the 1970s to late 1990s as they developed in the United States, the United Kingdom and Europe. Some of the music might …

Satan Rides the Media: how media sensationalism helped create a legend and a cult

Torstein Grude, “Satan Rides the Media” / “Satan rir media” (1998) Focussing on the sensational murder of Norwegian black metal musician Oystein Aarseth aka Euronymous by fellow musician Varg Vikernes aka Count Grishnackh in Oslo in 1993, the media hysteria that followed Vikernes’s trial in 1996 and the issue of church burnings by black metal followers …