Tunnelen: an underdeveloped film of future dystopia as experienced by a generic family
André Øvredal, “Tunnelen” (2016) Even something as seemingly innocuous and commonplace as driving to the
André Øvredal, “Tunnelen” (2016) Even something as seemingly innocuous and commonplace as driving to the
Sadie Rogers, “How is This the World” (2019) Starting out almost as a gritty film
Australian and New Zealand Films | North American Films
Brooke Goldfinch, “Red Rover” (2015) In less than 15 minutes, “Red Rover” explores very minimally
Hyunsuk Kim, “Pinki” (2018) Initially looking like a Korean mash-up of Neil Blomkamp’s “District 9”
Mark Slutsky, “Final Offer” (2018) The premise is the height of implausibility but great acting
Liv McNeil, “Numb” (2020) Originally an art school project to occupy her for the rest
Deepak Chetty, “Hard Reset” (2016) The premise and the plot are predictable and rather tired,
Sophia Banks, “Unregistered” (2018) This short film commenting on the treatment of undocumented immigrants in
Chinese and Chinese-language Films | Spanish Films
Alejandro Suarez Lozano, “The Fisherman” (2015) A cleverly made and succinct little SF horror film
William Hellmuth, “Alone” (2020) A moving film about connection – and about how so strong