“What the Media Won’t Tell You About China” (ReallyGraceful, 20 June 2018)
This short film is less a historical documentary about China and how it came to be the nation is it now and more a demonstration of the historical context behind contemporary China and its politics. The aim is to show why China takes the actions it does and how the intent of these actions is deliberately twisted by Western mainstream media to suggest that China is an aggressor with sinister imperial designs. ReallyGraceful shows how Confucianism as a political and social philosophy has influenced and shaped the relationship between the government and the people, individually and collectively, and helped give China long-lasting stability that lasted through several dynastic cycles and was ended by European, particularly British, imperial economic ambitions.
The film focuses on a few significant events that destabilised China or influenced its political direction: the Opium Wars and the corruption and instability that mass opium addiction brought to China; the Boxer Rebellion, which discredited the Qing dynasty; Mao Zedong’s Long March; and the civil war between the Communists and the Nationalists that made the country vulnerable to Japanese invasion. Along the way, RG notes the association that Mao Zedong had with Yale University in the US (a short one, by the way) and spends some time detailing the links between Yale University and one George Herbert Walker Bush, a former US President and CIA Director, through the notorious Skull & Bones Society: this association suggests that the Chinese Communists had quite intimate and complicate contacts with the CIA and the Skull & Bones Society that go right back to the 1920s. This association with its networks was rent asunder by the Tiananmen Square event which, as ReallyGraceful sets out meticulously, turns out to be nothing like its portrayal in Western mainstream media: instead the “massacre” was actually an attempt by the CIA, using people embedded among the protesting students, to take control of the protest, turn it into a violent revolution and force (through violence) the overthrow of the Communist government and with it the dissolution of the Communist Party of China.
After the Tiananmen Square incident in 1989, China forged ahead with its economic development to the extent that the nation is now the largest economy in the world and owns over a trillion US dollars’ worth of US debt. China has become a major global investor in several countries in Africa and elsewhere. The country now wields such major economic influence through trade and trading networks that it is now in a position to challenge US global financial hegemony by enticing its trade partners – and Middle Eastern suppliers of oil – to trade in petro-yuan rather than in petro-dollars. This threatens the privileged status of the US dollar as the world’s reserve currency, not least because a move away from using the US dollar would result in plummeting demand for the dollar, leading to the dollar’s deflation and the dire consequences for US trade and the economy.
RG passes no judgement on China’s human rights situation though her description of what happened during the Tiananmen Square events suggests she is less likely than most to view China as a heavily authoritarian and oppressive state that brutalises its peoples. As this short film is an opinion piece, RG gives no sources for her information. Mao Zedong’s link to Yale University and the Skull and Bones Society will come as a surprise to many – it certainly did to me – but Google searches confirm that Mao indeed received help in his political and literary career from Yale University through its Yale-in-China Group; he might never have risen as high as he did without financial help and other support from that group, and the history of China would have taken a very different direction!
RG’s portrayal of the events of Tiananmen Square in 1989 merits mention and praise in the way her commentary slides right into a more objective and critical view of those events without any bias. She puts up information and invites viewers to consider this information for themselves and to find out more and share their discoveries with others. While the film omits to mention significant events of the 20th century – the Japanese invasion of China surely merits one mention, as does the way in which China became the new workshop to the world at the expense of working and middle class jobs in Western countries whose leaders saw nothing wrong in companies offshoring jobs to China – it does well enough as an introduction to modern China and how it has become the nation it is.