Tokyo Drifter: surreal pop-art gangster flick riffing on corporate loyalty and surviving in a corrupt world

Seijun Suzuki, “Tokyo Drifter / Tokyo nagaremono” (1966) A tale of larger-than-life characters grappling with their consciences and their loyalty to their superiors and the life they have known since youth – even if it is a sordid life of gangland killings and unrelenting violence – against a background of surrealism and pop-art excess infused …

The Adventure of a Good Citizen: a plea for tolerance, celebration of eccentricity and relating to the world in new ways

Franciszka and Stefan Themerson, “The Adventure of a Good Citizen / Przygoda czlowieka poczciwego” (1937) Experimental film-making got off to an early start in Poland in 1930, the year that the writer-painter couple Franciszka and Stefan Themerson made the first of five short experimental films together before travelling to Paris in 1937 and settling there. …

A Clockwork Orange: a political and social comedy satire relying too much on audiovisual shock tactics

Stanley Kubrick, “A Clockwork Orange” (2013) Not a bad film but for what it is, “A Clockwork Orange” is fussy and relies too much on shock, bright colours and the juxtaposition of apparent high-brow symbols and low-brow brutality and violence to wow viewers. The main character Alex (Malcolm McDowell) is an out-of-control working-class teenager running …