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Tag: Italian and Italian-language Films

Italian and Italian-language Films | North American Films

Conclave: political ambition and questions of faith collide with a thin plot filled with bizarre twists

Edward Berger, “Conclave” (2024) Who’d have thought that a film about a group of Roman

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Eastern European Films | French and French-language Films | Italian and Italian-language Films

EO: a donkey’s odyssey through the kindness (or not) of strangers

Jerzy Skolimowski, “EO” (2022) Inspired by Robert Bresson’s 1966 film “Au hasard Balthazar”, this Polish

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Italian and Italian-language Films

The Recycling Man: a peep at a future police-state dystopia and its manipulation of vulnerable citizens

Carlo Ballauri, “The Recycling Man” (2020) A very surprising little short, “The Recycling Man” takes

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Italian and Italian-language Films

Bad Tales: voyeuristic survey of dysfunctional families in alienation

Damiano and Fabio d’Innocenzo, “Bad Tales / Favolacce” (2020) A survey of three families living

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Italian and Italian-language Films

The Goddess of Fortune: how the passage of time and random events change people and relationships

Ferzan Özpetek, “The Goddess of Fortune / La Dea Fortuna” (2019) On the surface, this

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British Films | Italian and Italian-language Films

Don’t Look Now: an eerie and profound Gothic horror film of grief, trauma and misperceptions

Nicolas Roeg, “Don’t Look Now” (1973) Adapted from the short story with the same title

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Italian and Italian-language Films

Loro: a portrayal of political corruption and debauchery seduced by its own excess

Paolo Sorrentino, “Loro / Them” (2018) Originally made in two parts totalling three hours, this

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Italian and Italian-language Films

Don’t Torture a Duckling: behind the sensationalism, a surprisingly thoughtful and critical film

Lucio Fulci, “Don’t Torture a Duckling / Non si sevizia un paperino” (1973) Fret not,

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Italian and Italian-language Films | North American Films

All the Money in the World: a solid if dull and heavy-handed lesson on the importance of family ties (and how they’re exploited)

Ridley Scott, “All the Money in the World” (2017) Intended as a character study on

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Italian and Italian-language Films

Extraordinary revelations about foreign involvement in Maidan 2013-2014 events in “Ukraine: the Hidden Truth”

Gian Micalessin, “Ukraine: the Hidden Truth” (2017) A short but very pithy Italian documentary, “Ukraine

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