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Tag: DUST

North American Films

Home in Time: time travel, the consequences of bad behaviour, free will and reconciliation in comedy sci-fi short

Patrick Hagarty, “Home in Time” (2019) In time for Christmas, this amusing sci-fi comedy short

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North American Films

Apotheosis: grit, determination and resilience win over inborn gifts in polished sci-fi short

Max Pearce, “Apotheosis” (2022) A very polished short film, with similarities in themes and plot

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North American Films

Eureka! – dealing with depression with comedy and skilful acting

Laura Moss, “Eureka!” (2019) I confess, I saw this comedy sci-fi fantasy short because Karen

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North American Films

Jettison: a parable on the US exploitation of soldiers using time-space travel

J J Pollack, “Jettison” (2021) A young woman, Rebka (Madison Wilson), restless and bored with

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British Films

The Simulation: light-hearted comedy and kitsch look hide a dark heart

Faye Fillingham, “The Simulation” (2021) Initially this short seems light-hearted and amusing but on repeated

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North American Films

Sol: a post-apocalyptic story of survival, family relationship and trauma, and hope

Andy Alvarez, “Sol” (2020) In a world devastated by climate change (and perhaps global war),

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North American Films

The Collector: a moving story of outsiders in a post-apocalyptic police state dystopia

Ihsanul Huq, “The Collector” (2021) A very moving story thanks to its lead actor Frank

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Australian and New Zealand Films

Mongrel: minimally styled film posing the question of what makes a human or a monster

Nik Kacevski, “Mongrel” (2021) A very minimalist little film, featuring just two actors, “Mongrel” poses

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North American Films

In Captivity: freedom versus slave comfort and security in a future dystopian hell

Michael Koerbel, “In Captivity” (2011) Superficially in the style of a “Truman Show” situation comedy,

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North American Films

Together Forever: maudlin romance tragedy becomes a tale of murderous greed and a revenge vendetta

Rebecca C Scott, “Together Forever” (2022) A well-made film, driven almost entirely by its characters’

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