A Haunting in Venice: behind the storm and the haunted house, a formulaic plot appears
Kenneth Branagh, “A Haunting in Venice” (2023) For his third outing as Belgian police detective
Kenneth Branagh, “A Haunting in Venice” (2023) For his third outing as Belgian police detective
British Films | North American Films
Christopher Nolan, “Tenet” (2019) For an example of how not to make a blockbuster sci-fi
Christopher Nolan, “Oppenheimer” (2023) Aside from all the Hollywood fanfare fluff surrounding its release, Christopher
Jordan Vogt-Roberts, “Kong: Skull Island” (2017) An example of how post-2000 Hollywood is squeezing as
Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis
Desiree Akhavan, “The Miseducation of Cameron Post” (2018) Set in 1993, this coming-of-age drama follows
British Films | North American Films
Sam Mendes, “SPECTRE” (2015) As James Bond films go, “Spectre” looks gritty and stylishly in
Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his
William Crain, “Blacula” (1972) In 1780, a noble African Prince (William Marshall), known as Mamuwalde,
Oliver Hermanus, “Living” (2022) A gentle if sad and understated film, Oliver Hermanus’s “Living” is