Immaculate: transformation from naif to a powerful and liberated woman through exploitation and trauma
Michael Mohan, “Immaculate” (2024) The, er, venerable niche horror subgenre known as nunsploitation is revived
Michael Mohan, “Immaculate” (2024) The, er, venerable niche horror subgenre known as nunsploitation is revived
British Films | North American Films
Rose Glass, “Love Lies Bleeding” (2024) A surprisingly entertaining film, spoilt only by a cartoonish
Kristoffer Borgli, “Dream Scenario” (2023) This psychological fantasy comedy film is as oddball as they
British Films | North American Films
Yorgos Lanthimos, “Poor Things” (2023) A visually sumptuous feast, set in an alternative late Victorian
British Films | North American Films
Lee Tamahori, “Die Another Day” (2002) For the twentieth movie in a film franchise celebrating
British Films | North American Films
Emerald Fennell, “Saltburn” (2023) Arriving in Sydney with little fanfare, “Saltburn” initially presents as a
Jim Henson, “Labyrinth” (1986) A film very much of its time, “Labyrinth” has not aged
Martin Scorsese, “Killers of the Flower Moon” (2023) At nearly three-and-a-half hours in length, “Killers
Kenneth Branagh, “A Haunting in Venice” (2023) For his third outing as Belgian police detective
British Films | North American Films
Christopher Nolan, “Tenet” (2019) For an example of how not to make a blockbuster sci-fi