British Films | French and French-language Films | North American Films
Coralie Fargeat, “The Substance” (2024) It may be called “The Substance” but this film’s style
Stephen Spielberg, “Jaws” (1975) After nearly 50 years since its release, the big surprise about
Osgood Perkins, “Longlegs” (2024) As horror films drawing on past classics like “Silence of the
French and French-language Films | Northern European Films
Joachim Lafosse, “A Silence” (2024) Smooth, sober and straightforward in its minimal style, this Belgian
Jang Jaehyun, “Exhuma” (2024) It starts innocently enough when a newborn boy contracts a mystery
Michael Mohan, “Immaculate” (2024) The, er, venerable niche horror subgenre known as nunsploitation is revived
Kristoffer Borgli, “Dream Scenario” (2023) This psychological fantasy comedy film is as oddball as they
British Films | North American Films
Yorgos Lanthimos, “Poor Things” (2023) A visually sumptuous feast, set in an alternative late Victorian
British Films | North American Films
Emerald Fennell, “Saltburn” (2023) Arriving in Sydney with little fanfare, “Saltburn” initially presents as a
Kim Ki-young, “Hanyo / The Housemaid” (1960) Delirious and overwrought in its soap-opera melodrama, this