British Films | Middle Eastern Films
Ceaseless Fire: where visuals say 1,000 words about moral depravity on display
Craig Murray, “Ceaseless Fire” (2025) Continuing his tour of Lebanon, UK citizen journalist Craig Murray
British Films | Middle Eastern Films
Craig Murray, “Ceaseless Fire” (2025) Continuing his tour of Lebanon, UK citizen journalist Craig Murray
British Films | Middle Eastern Films
Craig Murray, “What the Hell is that?” (2025) Currently visiting the Middle East as a
Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 4: For a Gender
Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 3: Trans Regret)” (2020)
Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 2: Medicalisation)” (2020) In
Vaishnavi Sundari, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 1: Being a Woman
Simon Napier-Bell, “George Michael: Portrait of an Artist” (2022) For a documentary whose narrative is
Vasily Prozorov, “Culturocide” (October 2022) Short though it is, this is a disturbing documentary demonstrating
Australian and New Zealand Films
Lachlan McLeod, “Clean” (2022) As this documentary demonstrates, there’s much more to the word “clean”
Carlton Meyer, “The Rebellious Colony of Mali” (Tales of the American Empire, 14 October 2022)