Russian and Soviet Films

Culturocide: how an entire generation of schoolchildren is systematically immersed in alternative false history and identity

Vasily Prozorov, “Culturocide” (October 2022) Short though it is, this is a disturbing documentary demonstrating

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“Navalny: Fake Poisoning (Part 1: The Patient)” (Soloviev LIVE / Vesti News, 24 August 2021)

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Glen MacKay, “Life in the Day of Aliya Mustafina” (2020) Since 2009 when she joined

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Andrey Klimov, “Azarkant” (2013) Made as a proof-of-concept piece for a film, “Azarkant” understandably is

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Graham Phillips, “Vladivostok 2020” (2020) In this 20-minute showcase of the glories of Vladivostok, the

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Vasily Prozorov, “MH-17: In Search of Truth” (UKR Leaks, December 2019) Currently gaining a lot

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Leo Mattei, Johnny Miller, “The Tragedy of Russia’s Reforms” (PressTV, 2017) Made for the Iranian

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Wladyslaw Starewicz, “The Beautiful Leukanida / Prekrasnaya Lyukanida” (1912) In a long career spanning some

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Wladyslaw Starewicz, “The Cameraman’s Revenge” (1912) A deftly crafted and delightful animation short, this silent

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Yana Yerlashova, “MH17 – Call for Justice” (Bonanza Media, July 2019) Five years after the

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