The Lost King: real people and events lost in identity politics stereotypes
Stephen Frears, “The Lost King” (2022) A breezy and light film, “The Lost King” depends
Stephen Frears, “The Lost King” (2022) A breezy and light film, “The Lost King” depends
British Films | French and French-language Films | German and German-language Films | Northern European Films
Ruben Östlund, “Triangle of Sadness” (2022) Just sit right back and you’ll hear a tale,
Patrick Hagarty, “Home in Time” (2019) In time for Christmas, this amusing sci-fi comedy short
Laura Moss, “Eureka!” (2019) I confess, I saw this comedy sci-fi fantasy short because Karen
Mark Mylod, “The Menu” (2022) A satirical commentary on Western gastronomy culture – and through
Faye Fillingham, “The Simulation” (2021) Initially this short seems light-hearted and amusing but on repeated
Alex Magaña, “Mukbang” (2022) Originating in South Korea, mukbang is an Internet-based audiovisual broadcast or
Scott Woodburn, “Rick and Ruby” (2019) Playing like an episode in a never-ending road-movie series
Anthony Fabian, “Mrs Harris Goes to Paris” (2022) A light and lively film harking nostalgically
Ridley Scott, “Thelma & Louise” (1991) Two best friends – one a waitress whose musician