Ponyo on the Cliff by the Sea: a tale of wonder and transformation deflated by flat characters and boring plot
Hayao Miyazaki, “Gake no Ue no Ponyo” / “Ponyo on the Cliff by the Sea”
Hayao Miyazaki, “Gake no Ue no Ponyo” / “Ponyo on the Cliff by the Sea”
Hiromasa Yonebayashi, “Mary and the Witch’s Flower” (2017) A visually very attractive family movie, clearly
Hayao Miyazaki, “My Neighbour Totoro” (1988) The film that brought Studio Ghibli to an international
Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 4: For a Gender
Hayao Miyazaki, “The Boy and the Heron” (2023) A decade after “The Wind Rises”, the
French and French-language Films
Jacques Plaisant, “The Egypt Code Breakers” (2022) A fascinating tale in itself, told in a
Anatola Araba Pabst, “Afro Algorithms” (2022) Here comes a very well-made 3D animated short that
Gordy Higgins, Ryan Zujic, Christoffer Klungerbo, “The Guardian’s Tale” (2012) Told as a delightful fairy
Jeffrey Morris, “Parallel Man: Infinite Pursuit” (2014) Based on a comic book series of the
Australian and New Zealand Films
Radheya Jegavetha, “The Quiet” (2020) Created entirely by director Radheya Jegavetha and his father Jay