Australian and New Zealand Films

The Quiet: outer space as metaphor for inner space in a film of duality and opposites

Radheya Jegavetha, “The Quiet” (2020) Created entirely by director Radheya Jegavetha and his father Jay

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Louis Leterrier, “Clash of the Titans” (2010) A brisk and goofy remake of the original

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“Why Australia Doesn’t Make Their Own Cars” (Asianometry, 17 January 2022) Compared to other mini-documentaries

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Joshua Krook, “The Philosophy of Byung-Chul Han” (28 February 2021) In his theory on mass

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Philip Noyce, “Rabbit-Proof Fence” (2002) Visually this is a beautiful film with an emphasis on

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“Post Mortem” (Four Corners, Australian Broadcasting Corporation, 28 June 2021) Posited as an investigation into

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“Taking on the banks: The truth about the Australia Post Cartier watches affair” (Citizens Insight /

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Brooke Goldfinch, “Red Rover” (2015) In less than 15 minutes, “Red Rover” explores very minimally

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“Japan Post Bank: The great postal banking success – Interview with Daisuke Kotegawa” (Citizens Insight /

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Carlton Meyer, “The American Colony of Australia” (Tales of the American Empire, 19 February 2021)

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