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Tag: Psychedelia

Japanese Films

The Lost Breakfast: amusing animation on how chaos invades and disrupts order and control through daily rituals

Q-rais, “The Lost Breakfast” (2015) Where some cartoonists treat the weekday early morning ritual of

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North American Films

Little Audrey – Tarts and Flowers: sugar and spice that are not too nice in a rich and lavish film

Bill Tytla, “Little Audrey – Tarts and Flowers” (1950) Part of a series of cartoons

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French and French-language Films

The Mascot: a puppet dog’s mission of self-sacrifice results in an amazing masterpiece of stop-motion animation

Wladyslaw Starewicz, “The Mascot / Fétiche Mascotte ” (1933) An amazing and brilliant short work

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North American Films

Swing You Sinners! – horror morality story goes to extremes in imaginative animation

Dave Fleischer, “Swing You Sinners!” (1930) A bizarre little cartoon short, filled with the most

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French and French-language Films | Multi-media Presentations

The Image Book: a demanding critique on the role of film in contemporary Western society

Jean-Luc Godard, “The Image Book / Le Livre d’Image” (2018) At 84 minutes, in no

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French and French-language Films

Last Year at Marienbad: a comic and often repetitive satire on the empty lives of the wealthy

Alain Resnais, “Last Year at Marienbad / L’Année dernière à Marienbad” (1961) At times hilarious,

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Russian and Soviet Films

The Mirror: a loose autobiographical work on memory, history, nostalgia and regret

Andrei Tarkovsky, “Zerkalo / The Mirror” (1975) For most viewers, Tarkovsky’s “The Mirror” won’t be

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French and French-language Films

Climax: French society in microcosm with all its stresses, anxieties, hidden secrets and a dark puppet-master

Gaspar Noe, “Climax” (2018) In the hands of Argentine-French director Gaspar Noe, a story about

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North American Films

Steppenwolf: a stodgy and soporific adaptation of a cult counter-culture novel

Fred Haines, “Steppenwolf” (1974) There was a period in the 1960s when this 1927 novel

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North American Films

Inherent Vice: a faithful if meandering and flat adaptation of a Thomas Pynchon neo-noir comedy

Paul Thomas Anderson, “Inherent Vice” (2014) Director Paul Thomas Anderson must be commended for daring

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