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Tag: German and German-language Films

German and German-language Films

Riefenstahl: portrait of an artist as a manipulative liar in denial of reality

Andres Veiel, “Riefenstahl” (2024) Gaining access to 700 boxes of archives of the work of

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British Films | German and German-language Films | North American Films

The Zone of Interest: a disturbing film of ordinary people involved in, and denying evil

Jonathan Glazer, “The Zone of Interest” (2023) As films about the Nazi Holocaust go, “The

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German and German-language Films | North American Films

Tár: character study of power-crazy artist undone by a weak plot

Todd Field, “Tár” (2022) It has all the ingredients to be a great film –

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British Films | French and French-language Films | German and German-language Films | Northern European Films

Triangle of Sadness: a perilous navigation through class warfare, power struggles and a plot that falls apart

Ruben Östlund, “Triangle of Sadness” (2022) Just sit right back and you’ll hear a tale,

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German and German-language Films

Monju Hunters of Sofugan Island: carrying a warning of environmental devastation and human folly

Karim Eich and Dirk Wachsmuth, “Monju Hunters of Sofugan Island” (2017) An unexpectedly deep and

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German and German-language Films

A celebration of a major art and social utopian movement in “Bauhaus Spirit: 100 Years of Bauhaus”

Niels Bolbringer and Thomas Tielsch, “Bauhaus Spirit: 100 Years of Bauhaus” (2018) Celebrating the 100th

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German and German-language Films

Botswana’s Heavy Metal Queens: focusing on the fashions and image rather than the music and the subculture

Sarah Vianney, “Botswana’s Heavy Metal Queens” (2018) Despite the title, the heavy metal queens of

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Eastern European Films | German and German-language Films

The Final Journey: a formulaic road movie about hope and reconciliation in the Ukrainian civil war

Nick Baker-Monteys, “The Final Journey / Leanders Letzte Reise” (2017) The plot may be a

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German and German-language Films

Faust: a visually stunning film with many magnificent scenes – but a thin story weakens it

F W Murnau, “Faust” (1926) Visually powerful and stunning, with an incredible opening scene of

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North American Films

The Pianist: a potentially great film let down by shallow characterisation and a bland and thin plot

Roman Polanski, “The Pianist” (2002) Polanski has been a very significant director capable of making

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