German and German-language Films
Riefenstahl: portrait of an artist as a manipulative liar in denial of reality
Andres Veiel, “Riefenstahl” (2024) Gaining access to 700 boxes of archives of the work of
Tag: German and German-language Films
British Films | German and German-language Films | North American Films
The Zone of Interest: a disturbing film of ordinary people involved in, and denying evil
Jonathan Glazer, “The Zone of Interest” (2023) As films about the Nazi Holocaust go, “The
German and German-language Films | North American Films
Tár: character study of power-crazy artist undone by a weak plot
Todd Field, “Tár” (2022) It has all the ingredients to be a great film –
British Films | French and French-language Films | German and German-language Films | Northern European Films
Triangle of Sadness: a perilous navigation through class warfare, power struggles and a plot that falls apart
Ruben Östlund, “Triangle of Sadness” (2022) Just sit right back and you’ll hear a tale,
German and German-language Films
Monju Hunters of Sofugan Island: carrying a warning of environmental devastation and human folly
Karim Eich and Dirk Wachsmuth, “Monju Hunters of Sofugan Island” (2017) An unexpectedly deep and
German and German-language Films
A celebration of a major art and social utopian movement in “Bauhaus Spirit: 100 Years of Bauhaus”
Niels Bolbringer and Thomas Tielsch, “Bauhaus Spirit: 100 Years of Bauhaus” (2018) Celebrating the 100th
German and German-language Films
Botswana’s Heavy Metal Queens: focusing on the fashions and image rather than the music and the subculture
Sarah Vianney, “Botswana’s Heavy Metal Queens” (2018) Despite the title, the heavy metal queens of
Eastern European Films | German and German-language Films
The Final Journey: a formulaic road movie about hope and reconciliation in the Ukrainian civil war
Nick Baker-Monteys, “The Final Journey / Leanders Letzte Reise” (2017) The plot may be a
German and German-language Films
Faust: a visually stunning film with many magnificent scenes – but a thin story weakens it
F W Murnau, “Faust” (1926) Visually powerful and stunning, with an incredible opening scene of
The Pianist: a potentially great film let down by shallow characterisation and a bland and thin plot
Roman Polanski, “The Pianist” (2002) Polanski has been a very significant director capable of making