British Films | French and French-language Films | North American Films
Coralie Fargeat, “The Substance” (2024) It may be called “The Substance” but this film’s style
French and French-language Films | Northern European Films
Gilles Legardinnier, “Complètement cramé! / Mr Blake at your service!” (2023) It’s twee and artificial
French and French-language Films
Léa Domenach, “Bernadette” (2023) Any time Catherine Deneuve takes on a film role is reason
Stephen Spielberg, “Jaws” (1975) After nearly 50 years since its release, the big surprise about
Osgood Perkins, “Longlegs” (2024) As horror films drawing on past classics like “Silence of the
French and French-language Films | Northern European Films
Joachim Lafosse, “A Silence” (2024) Smooth, sober and straightforward in its minimal style, this Belgian
Jang Jaehyun, “Exhuma” (2024) It starts innocently enough when a newborn boy contracts a mystery
Arabic-language Films | Middle Eastern Films
Mohamed Kordofani, “Goodbye Julia” (2023) A morning car accident becomes an unlikely catalyst in a
Michael Mohan, “Immaculate” (2024) The, er, venerable niche horror subgenre known as nunsploitation is revived
British Films | North American Films
Rose Glass, “Love Lies Bleeding” (2024) A surprisingly entertaining film, spoilt only by a cartoonish