Godland: a snapshot of Denmark’s treatment of Iceland as a colony in the 19th century
Hlynur Palmason, “Volaða land / Vanskabte Land / Godland” (2022) Its plot looks simple enough,
A Haunting in Venice: behind the storm and the haunted house, a formulaic plot appears
Kenneth Branagh, “A Haunting in Venice” (2023) For his third outing as Belgian police detective
Sound of Freedom: despite good intentions, the film is a shallow representation of child sex trafficking
Alejandro Monteverde, “Sound of Freedom” (2023) Inspired by and loosely based on the work of
Thunderbird 6: flying a bit higher than its predecessor
David Lane, “Thunderbird 6” (1968) Despite the box office failure of “Thunderbirds Are Go”, United
Thunderbirds Are Go: no, the film didn’t go well at all
David Lane, “Thunderbirds Are Go” (1966) Based on the famous British children’s television puppet action
British Films | North American Films
Tenet: beneath the gloss and sci-fi gibberish, a banal plot with flat characters appears
Christopher Nolan, “Tenet” (2019) For an example of how not to make a blockbuster sci-fi
Hanyo / The Housemaid (dir. Kim Ki-young): a delirious melodrama critical of Western culture and Confucian traditions
Kim Ki-young, “Hanyo / The Housemaid” (1960) Delirious and overwrought in its soap-opera melodrama, this
Oppenheimer: intriguing character study / legal drama on the use and misuse of power
Christopher Nolan, “Oppenheimer” (2023) Aside from all the Hollywood fanfare fluff surrounding its release, Christopher
Hollywood tries to squeeze blood out of the stone that is “Kong: Skull Island”
Jordan Vogt-Roberts, “Kong: Skull Island” (2017) An example of how post-2000 Hollywood is squeezing as
Australian and New Zealand Films
Storm Boy: a film of unusual friendships and the cycle of life
Henri Safran, “Storm Boy” (1976) A moody and melancholy film, ostensibly about a lonely boy
