Immaculate: transformation from naif to a powerful and liberated woman through exploitation and trauma
Michael Mohan, “Immaculate” (2024) The, er, venerable niche horror subgenre known as nunsploitation is revived
Michael Mohan, “Immaculate” (2024) The, er, venerable niche horror subgenre known as nunsploitation is revived
British Films | North American Films
Rose Glass, “Love Lies Bleeding” (2024) A surprisingly entertaining film, spoilt only by a cartoonish
British Films | German and German-language Films | North American Films
Jonathan Glazer, “The Zone of Interest” (2023) As films about the Nazi Holocaust go, “The
North American Films | Russian and Soviet Films
[Vladimir Putin’s] Interview to Tucker Carlson (Kremlin, 10 February 2024) Former Fox News journalist /
French and French-language Films
Justine Triet, “Anatomie d’une chute” / “Anatomy of a Fall” (2023) In “Anatomie d’une chute”,
Danny Haiphong, “Michael Hudson on Russia, Iran and the Red Sea: NATO War Economy Collapses”
Kristoffer Borgli, “Dream Scenario” (2023) This psychological fantasy comedy film is as oddball as they
Dear USE readers, Once again we come to the end of another year of watching
British Films | North American Films
Yorgos Lanthimos, “Poor Things” (2023) A visually sumptuous feast, set in an alternative late Victorian
British Films | North American Films
Lee Tamahori, “Die Another Day” (2002) For the twentieth movie in a film franchise celebrating