Bram Stoker’s Dracula: a lavish and surreal film skirting over social issues in Western society now and in the 1890s
Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis
Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis
Desiree Akhavan, “The Miseducation of Cameron Post” (2018) Set in 1993, this coming-of-age drama follows
French and French-language Films
Mia Hansen-Løve, “Un Beau Matin” / “One Fine Morning” (2022) One fine morning in Paris
British Films | North American Films
Sam Mendes, “SPECTRE” (2015) As James Bond films go, “Spectre” looks gritty and stylishly in
French and French-language Films
Alice Diop, “Saint Omer” (2022) At first presenting as a dry courtroom drama cum psychological
Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his
Brandon Cronenberg, “Infinity Pool” (2023) Take away the extreme violence, the scenes of sleazy sex
William Crain, “Blacula” (1972) In 1780, a noble African Prince (William Marshall), known as Mamuwalde,
Eastern European Films | French and French-language Films | Italian and Italian-language Films
Jerzy Skolimowski, “EO” (2022) Inspired by Robert Bresson’s 1966 film “Au hasard Balthazar”, this Polish
French and French-language Films
Louis Garrel, “L’Innocent” (2022) A very clever comedy combining romance and a heist plot, “L’Innocent”