Renfield: camp horror comedy suffers from co-dependency on too much CGI splatter violence
Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his
Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his
William Crain, “Blacula” (1972) In 1780, a noble African Prince (William Marshall), known as Mamuwalde,
Stephen Frears, “The Lost King” (2022) A breezy and light film, “The Lost King” depends
British Films | French and French-language Films | German and German-language Films | Northern European Films
Ruben Östlund, “Triangle of Sadness” (2022) Just sit right back and you’ll hear a tale,
Patrick Hagarty, “Home in Time” (2019) In time for Christmas, this amusing sci-fi comedy short
Laura Moss, “Eureka!” (2019) I confess, I saw this comedy sci-fi fantasy short because Karen
Mark Mylod, “The Menu” (2022) A satirical commentary on Western gastronomy culture – and through
Faye Fillingham, “The Simulation” (2021) Initially this short seems light-hearted and amusing but on repeated
Alex Magaña, “Mukbang” (2022) Originating in South Korea, mukbang is an Internet-based audiovisual broadcast or
Scott Woodburn, “Rick and Ruby” (2019) Playing like an episode in a never-ending road-movie series