The Cameraman’s Revenge: the camera as a mirror of human behaviour as performed by insect puppets
Wladyslaw Starewicz, “The Cameraman’s Revenge” (1912) A deftly crafted and delightful animation short, this silent
Wladyslaw Starewicz, “The Cameraman’s Revenge” (1912) A deftly crafted and delightful animation short, this silent
Northern European Films | Russian and Soviet Films
Yana Yerlashova, “MH17 – Call for Justice” (Bonanza Media, July 2019) Five years after the
Japanese Films | Russian and Soviet Films
Artyom Somov, “Dying Alone: Kodokushi, Japan’s epidemic of isolation through the eyes of a ‘lonely
Oleg Uzhinov, “Masha and the Bear (Season 1, Episode 17: Recipe for Disaster)” (2009) Despite
Andrei Tarkovsky, “Zerkalo / The Mirror” (1975) For most viewers, Tarkovsky’s “The Mirror” won’t be
“Nationalized Finance: Russian Direct Investment Fund Focuses on Helping Country Expand and Grow” (Vesti News,
“Chechnya: Republic of Contrasts” (RT Channel, 2013) Made in 2013, this RT documentary is probably
Australian and New Zealand Films | Russian and Soviet Films
Pavel Serezhkin, “The Hooligans: Joining the Kremlin’s Football Army” (2018) Here’s a very funny mockumentary
Andrei Zvyagintsev, “Loveless” (2017) As with previous films of Andrei Zvyagintsev that I’ve seen, “Loveless”
British Films | Russian and Soviet Films
John Pilger, “Secret World of the US Election: Julian Assange Talks to John Pilger” (RT.com,