Labyrinth: coming-of-age fantasy film let down by music and the passage of time
Jim Henson, “Labyrinth” (1986) A film very much of its time, “Labyrinth” has not aged
Jim Henson, “Labyrinth” (1986) A film very much of its time, “Labyrinth” has not aged
Martin Scorsese, “Killers of the Flower Moon” (2023) At nearly three-and-a-half hours in length, “Killers
Kenneth Branagh, “A Haunting in Venice” (2023) For his third outing as Belgian police detective
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Christopher Nolan, “Tenet” (2019) For an example of how not to make a blockbuster sci-fi
Christopher Nolan, “Oppenheimer” (2023) Aside from all the Hollywood fanfare fluff surrounding its release, Christopher
Jordan Vogt-Roberts, “Kong: Skull Island” (2017) An example of how post-2000 Hollywood is squeezing as
Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis
Desiree Akhavan, “The Miseducation of Cameron Post” (2018) Set in 1993, this coming-of-age drama follows
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Sam Mendes, “SPECTRE” (2015) As James Bond films go, “Spectre” looks gritty and stylishly in
Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his