Why ‘Wonder Woman’ is Banned in Lebanon: taking a stand against propaganda that denies history and exalts violence and brutality
Nora Barrows-Friedman, “Why ‘Wonder Woman’ is Banned in Lebanon” (Electronic Intifada, 8 June 2017) With
Nora Barrows-Friedman, “Why ‘Wonder Woman’ is Banned in Lebanon” (Electronic Intifada, 8 June 2017) With
Hirokazu Kore-eda, “Shoplifters / Manbiki Kazoku” (2018) In this slow realist drama about an impoverished
Clayton Swisher, “The Lobby (Episode 4: The Takedown)” (Al Jazeera, 2017) In the last episode
Clayton Swisher, “The Lobby (Episode 3: An Anti-Semite Trope)” (Al Jazeera, 2017) In this third
Northern European Films | South African Films
Jean van de Welde, “An Act of Defiance” (2017) Quite a hard-hitting and confrontational film
Ford Beebe, “The Invisible Man’s Revenge” (1944) It could have been an interesting character study
Clayton Swisher, “The Lobby (Episode 2: The Training Session)” (Al Jazeera, 2017) Continuing on from
Italian and Italian-language Films
Lucio Fulci, “Don’t Torture a Duckling / Non si sevizia un paperino” (1973) Fret not,
Clayton Swisher, “The Lobby (Episode 1: Young Friends of Israel)” (Al Jazeera, 2017) In recent
Bryan Singer, “Bohemian Rhapsody” (2018) Astonishingly, given the rich source material and the fact that