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Under Southern Eyes

Category: North American Films

Reviews of films made in Canada and United States including all films made by Hollywood.

North American Films

Last Requests: quiet naturalistic character study gives insight into US prison culture and the people it exploits

Courtenay Johnson, “Last Requests” (2017) A sombre character study of a prison worker on her

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North American Films

The Incident at Benghazi: a good summary of an ambitious diplomat’s career bites off more than it can chew

Carlton Meyer, “The Incident at Benghazi” (31 July 2020) As short reports go, this one

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North American Films

The American Annexation of Okinawa: an overview of the post-1945 history of the Ryukyu Islands under the US military

Carlton Meyer, “The American Annexation of Okinawa” (Tales of the American Empire, 24 July 2020)

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North American Films

Chappaquiddick: character study deprived of its wider historical background and significance

John Curran, “Chappaquiddick” (2017) A thoughtful and well-acted film, as the metonym title suggests, this

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North American Films

The False Tale of Killing Osama bin Laden: duping the public with fake news for political gain

Carlton Meyer, “The False Tale of Killing Osama bin Laden” (Tales of the American Empire,

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North American Films

Protecting the American Opium Empire: opium as a tool and fuel for US imperialism

Carlton Meyer, “Protecting the American Opium Empire” (Tales of the American Empire, 9 July 2020)

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North American Films

Eve: choosing between freedom, compassion and responsibility makes an android more human than humans

Josh Bowman, “Eve” (2019) A character-driven sci-fi story with good acting and a strong visual

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North American Films

Satori [Awakening]: post-apocalypse film very much asleep under character stereotypes and a boring plot

Adam K Batchelor, “Satori [Awakening]” (2020) An original and ambitious idea of an Earth re-engineered

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North American Films

End of Decay: pulpy body-horror adaptation of Frankenstein story

Christopher Todd, “End of Decay” (2017) A pulpy body-horror update on Mary Shelley’s “Frankenstein; or,

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North American Films

Lucid: horror sci-fi dealing with cyber-addiction, escapism and technology shaping human psychology

Jamie Monahan, “Lucid” (2018) The film’s title refers to so-called lucid dreams in which the

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