Immaculate: transformation from naif to a powerful and liberated woman through exploitation and trauma
Michael Mohan, “Immaculate” (2024) The, er, venerable niche horror subgenre known as nunsploitation is revived
Reviews of films made in Canada and United States including all films made by Hollywood.
Michael Mohan, “Immaculate” (2024) The, er, venerable niche horror subgenre known as nunsploitation is revived
British Films | North American Films
Rose Glass, “Love Lies Bleeding” (2024) A surprisingly entertaining film, spoilt only by a cartoonish
British Films | German and German-language Films | North American Films
Jonathan Glazer, “The Zone of Interest” (2023) As films about the Nazi Holocaust go, “The
North American Films | Russian and Soviet Films
[Vladimir Putin’s] Interview to Tucker Carlson (Kremlin, 10 February 2024) Former Fox News journalist /
Danny Haiphong, “Michael Hudson on Russia, Iran and the Red Sea: NATO War Economy Collapses”
Kristoffer Borgli, “Dream Scenario” (2023) This psychological fantasy comedy film is as oddball as they
British Films | North American Films
Yorgos Lanthimos, “Poor Things” (2023) A visually sumptuous feast, set in an alternative late Victorian
British Films | North American Films
Lee Tamahori, “Die Another Day” (2002) For the twentieth movie in a film franchise celebrating
Norbert A Myles, “The Daughter of Dawn” (1920) Believed to have been lost after initial
British Films | North American Films
Emerald Fennell, “Saltburn” (2023) Arriving in Sydney with little fanfare, “Saltburn” initially presents as a