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Under Southern Eyes

Category: North American Films

Reviews of films made in Canada and United States including all films made by Hollywood.

British Films | North American Films

Official Secrets: a modest fictional dramatisation of a whistleblower’s ordeal

Gavin Hood, “Official Secrets” (2019) As fictional dramatisations of real events go, “Official Secrets” passes

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Arabic-language Films | North American Films

Seam: an action thriller SF allegory of societies under siege from government and global oppression

Elan Dassani, Rajeev Dassani, “Seam” (2017) An excellent little film that could serve as a

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North American Films

Custom Order: a thin plot and equally thin characters in a story on commodifying identity

Will Lowell, “Custom Order” (2017) Looks like I hit a dud sci-fi short for once

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North American Films

They Watch: a dystopian sci-fi film of the oppressed being used to oppress others

Andre LeBlanc, “They Watch” (2016) In the near future, a mother and her teenage son

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North American Films

Orbit: adaptation of famous Edgar Allan Poe story enquires into the fragility of identity

Nicholas Camp, Don Thiel III, “Orbit” (2019) A clever re-telling of the classic Edgar Allan

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North American Films

Clean Cut: short whimsical sci-fi black comedy of an unlikely serial killer in the making

Andrew Hunt, “Clean Cut” (2015) From DUST, an online channel specialising in screening science fiction

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British Films | North American Films

Judy: a character study of a Hollywood legend destroyed by an exploitative industry manipulating people’s dreams and hopes

Rupert Goold, “Judy” (2019) Adapted from Peter Quilter’s musical stage drama “End of the Rainbow”,

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Chinese and Chinese-language Films | North American Films

The Farewell: thin plot, poor characterisation should have farewelled this film

Lulu Wang, “The Farewell” (2019) As a character study of an individual torn between her

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North American Films

Perfectly Natural: science fiction horror film about demonic possession of the for-profit corporate kind

Victor Alonso-Berbel, “Perfectly Natural” (2018) No aliens, monsters, paranormal events or denizens of Hell or

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North American Films

Little Audrey – Tarts and Flowers: sugar and spice that are not too nice in a rich and lavish film

Bill Tytla, “Little Audrey – Tarts and Flowers” (1950) Part of a series of cartoons

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