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Under Southern Eyes

Category: North American Films

Reviews of films made in Canada and United States including all films made by Hollywood.

North American Films

The Post: a plea for freedom of speech and of the press, and for women’s progress in a film driven by dialogue and character study performances

Stephen Spielberg, “The Post” (2017) A taut and minimalist political drama, “The Post” is driven

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North American Films

Risk: a supposed character study about Wikileaks founder is a confused mess

Laura Poitras, “Risk” (2016) Filmed over six years, its focus on the life of Julian

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Italian and Italian-language Films | North American Films

All the Money in the World: a solid if dull and heavy-handed lesson on the importance of family ties (and how they’re exploited)

Ridley Scott, “All the Money in the World” (2017) Intended as a character study on

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North American Films

Downsizing: an uneven satirical science fiction comedy commenting on various social, economic and political issues

Alexander Payne, “Downsizing” (2017) For most viewers, perhaps the more interesting part of this long

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North American Films

Batman: The Movie – a cult bad-movie masterpiece with a daring and subversive edge

Leslie H Martinson, “Batman: The Movie” (1966) In an age when comic book superheroes were

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British Films | North American Films

Pride + Prejudice + Zombies: affectionate spoof historical comedy drama / horror film mash-up could have promised more

Burr Steers, “Pride + Prejudice + Zombies” (2016) At long last, instead of yet another

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North American Films

Dog Day Afternoon: character study centred around a failed heist in a morally adrift America

Sidney Lumet, “Dog Day Afternoon” (1975) A character study featuring stunning acting from lead actor

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British Films | North American Films

Goodbye Christopher Robin: a surprisingly substantial film with some disturbing themes

Simon Curtis, “Goodbye Christopher Robin” (2017) A film about English playwright / author A A

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North American Films

Ghost in the Shell (dir. Rupert Sanders): generic origin story makes anime adaptation tired and formulaic

Rupert Sanders, “Ghost in the Shell” (2017) In adapting a major Japanese anime series into

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North American Films

Adam Ruins Everything (Season 2, Episode 16: Adam Ruins the Future): this episode should have gone out on a high note

Tim Wilkime, “Adam Ruins Everything (Season 2, Episode 16: Adam Ruins the Future)” (2017) As

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