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Under Southern Eyes

Category: North American Films

Reviews of films made in Canada and United States including all films made by Hollywood.

North American Films

The Truman Show: comedy drama satire encapsulating the search for authenticity for self and community under conditions of control and manipulation

Peter Weir, “The Truman Show” (1998) Once in a while Hollywood releases a film that

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North American Films

Hedwig and the Angry Inch: an individual’s search for wholeness and authenticity delivered in a flat musical adaptation

John Cameron Mitchell, “Hedwig and the Angry Inch” (2001) A feisty little number showcasing John

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North American Films

Torn Curtain: an unremarkable spy thriller film let down by poor casting and a laboured script

Alfred Hitchcock, “Torn Curtain” (1966) To properly appreciate how good a director Alfred Hitchcock was

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North American Films

The Founder: a fictional character study calling into question the American Dream and how it enables control and exploitation

John Lee Hancock, “The Founder” (2016) How do you make an engrossing film about a

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North American Films

The Shining: a histrionic epic horror film saved by its themes of control and alien manipulation

Stanley Kubrick, “The Shining” (1980) In most directors’ hands, a Stephen King horror novel of

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North American Films

Portrait of a major 20th-century literary icon and his impact on Western culture in “William Burroughs: Man Within”

Yony Leyser, “William Burroughs: Man Within” (2010) An obvious labour of love for Yony Leyser,

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North American Films

My Winnipeg: an intriguing blend of memoir, documentary and surreal dark fantasy in a paean to a little city on the prairie

Guy Maddin, “My Winnipeg” (2007) An unusual blend of memoir, documentary and dark fantasy, Guy

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North American Films

Snowden: a riveting character study of personal transformation and commitment to personal ideals

Oliver Stone, “Snowden” (2016) Surprisingly even though I’m familiar with the story of National Security

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North American Films

Cold Souls: a dull, flat and unsatisfying comedy about materialism and the nature of identity and existence

Sophie Barthes, “Cold Souls” (2009) In the vein of Charlie Kaufman’s “Being John Malkovich” but

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Italian and Italian-language Films | North American Films

The Last Man on Earth: still retaining the power to shock and horrify with a message of post-apocalyptic despair and existential angst

Ubaldo B Ragona and Sidney Salkow, “The Last Man on Earth” (1964) Over 50 years

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