The Daughter of Dawn: a dull love-triangle story detailing the culture and customs of Kiowa and Comanche peoples
Norbert A Myles, “The Daughter of Dawn” (1920) Believed to have been lost after initial
Category: North American Films
Reviews of films made in Canada and United States including all films made by Hollywood.
British Films | North American Films
Saltburn: black comedy thriller send-up of British elites and modern British culture
Emerald Fennell, “Saltburn” (2023) Arriving in Sydney with little fanfare, “Saltburn” initially presents as a
Labyrinth: coming-of-age fantasy film let down by music and the passage of time
Jim Henson, “Labyrinth” (1986) A film very much of its time, “Labyrinth” has not aged
Killers of the Flower Moon: character study with themes of political, social and moral corruption
Martin Scorsese, “Killers of the Flower Moon” (2023) At nearly three-and-a-half hours in length, “Killers
A Haunting in Venice: behind the storm and the haunted house, a formulaic plot appears
Kenneth Branagh, “A Haunting in Venice” (2023) For his third outing as Belgian police detective
Sound of Freedom: despite good intentions, the film is a shallow representation of child sex trafficking
Alejandro Monteverde, “Sound of Freedom” (2023) Inspired by and loosely based on the work of
British Films | North American Films
Tenet: beneath the gloss and sci-fi gibberish, a banal plot with flat characters appears
Christopher Nolan, “Tenet” (2019) For an example of how not to make a blockbuster sci-fi
Oppenheimer: intriguing character study / legal drama on the use and misuse of power
Christopher Nolan, “Oppenheimer” (2023) Aside from all the Hollywood fanfare fluff surrounding its release, Christopher
Hollywood tries to squeeze blood out of the stone that is “Kong: Skull Island”
Jordan Vogt-Roberts, “Kong: Skull Island” (2017) An example of how post-2000 Hollywood is squeezing as
Bram Stoker’s Dracula: a lavish and surreal film skirting over social issues in Western society now and in the 1890s
Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis