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Category: North American Films

Reviews of films made in Canada and United States including all films made by Hollywood.

British Films | North American Films

Bedlam Behind Bars: wringing its hands over abuses in the US prison system

Matthew Hill, “Bedlam Behind Bars” (BBC Panorama, 7 July 2014) In a country that was founded

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Multi-media Presentations | North American Films

The Odessa Massacre – What REALLY Happened: more information in 11 minutes than in entire mainstream news media on Odessa massacre and arson

SCG News, “The Odessa Massacre – What REALLY Happened” (StormCloudsGathering, 12 May 2014) It’s only

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Korean Films | North American Films

Snowpiercer: silly social satire reveals a conservative and narrow view of human nature and potential for change

Joon-ho Bong, “Snowpiercer / Seolgugyeolcha” (2013) Joon-ho Bong’s first outing in the English language is

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North American Films

Thought-provoking and entertaining inquiry into animal rights in “Speciesism: the Movie”

Mark Devries, “Speciesism: the Movie” (2013) As home movies go, few possibly extend very far

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North American Films

The Manchurian Candidate: a layered and intense film on the abuse of power

John Frankenheimer, “The Manchurian Candidate” (1962) At some point during the Korean War in 1952,

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North American Films

The Thin Blue Line: a subjective film on subjectivity and a film on injustice that led to justice

Errol Morris, “The Thin Blue Line” (1988) Originally intended to be a documentary about another

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North American Films | Northern European Films

Manderlay: a not entirely satisfactory study of slavery in American society

Lars von Trier, “Manderlay” (2005) The sequel to “Dogville” is an interesting philosophical if rather

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North American Films

Surrogates: film with interesting sci-fi concept never quite feels genuine

Jonathan Mostow, “Surrogates” (2009) “Surrogates” has an interesting sci-fi concept with potential for philosophical speculation

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North American Films

Topaz: lacking in the suave Hitchcockian style but still its director’s offspring in theme and motifs

Alfred Hitchcock, “Topaz” (1969) Coming towards the tail-end of a long and illustrious career in

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North American Films

Dogville: failing to understand complexities and contradictions of American people, culture and history

Lars von Trier, “Dogville” (2003) First in a series of films on American culture from

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