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Under Southern Eyes

Category: North American Films

Reviews of films made in Canada and United States including all films made by Hollywood.

North American Films

Aliens (dir. James Cameron): overstretched plot meets redeemed heroine in Vietnam War fable

James Cameron, “Aliens” (1986) Sequel to Ridley Scott’s “Alien”, this is a very different movie:

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North American Films

Alien (dir. Ridley Scott): unique sci-fi/horror film with much to say about human society

Ridley Scott, “Alien” (1979) In the wake of news that Ridley Scott has started work

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North American Films

Inside Job: hard-hitting documentary about 2007/08 Global Financial Crisis

Charles Ferguson, “Inside Job” (2010)  For many people, this incisive documentary on the immediate origins

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North American Films

True Grit (dir. Joel and Ethan Coen): revenge film plays straight and narrow with problematic heroine

Joel and Ethan Coen, “True Grit” (2010) Adapted from the 1968 novel of the same

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North American Films

The Dark Knight: a shallow movie with one-note characters beneath the pyrotechnics

Christopher Nolan, “The Dark Knight” (2008) Second in British-American director Christopher Nolan’s Batman trilogy that

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North American Films

Chinatown: film noir addresses serious issues of political and moral corruption

Roman Polanski, “Chinatown” (1974) Chinatown” was Roman Polanski’s foray into the private eye / film

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North American Films

No Country for Old Men: all the right stuff and still not a great movie

Joel Cohen, “No Country for Old Men” (2007) Is it possible for a movie to

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North American Films

Dark City (dir. Alex Proyas): thought-provoking ideas and issues trapped in a prison

Alex Proyas, “Dark City” (1998) An attractive film that combines elements of film noir, mystery,

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North American Films

Easy Rider: film holds a mirror to mainstream US society in 1969 – and beyond

Stripped of the hype that has grown around it over the years, “Easy Rider” is

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North American Films

Catfish: a film with a surprising and humbling twist

Ariel Schulman and Henry Joost, “Catfish” (2010) Call it a fake documentary, call it a

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