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Under Southern Eyes

Category: Northern European Films

Reviews of films from Finland, Greenland, Iceland and countries traditionally considered part of Scandinavia (Denmark Norway, Sweden). I’ve included Estonia and Latvia in this category as these countries have historic links to Sweden.

Northern European Films | Russian and Soviet Films

Aliens (dir. A Gaponenko): the plight of Russians forced into twilight-zone lives as non-citizens in Latvia

Alexander Gaponenko, “Aliens” (2014) In August 1991, the Soviet Union broke up after a failed

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North American Films | Northern European Films

Manderlay: a not entirely satisfactory study of slavery in American society

Lars von Trier, “Manderlay” (2005) The sequel to “Dogville” is an interesting philosophical if rather

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Northern European Films

Memoria: a tight closed narrative loop with no chance of forgiveness or redemption

Elísabet Ýr Atladóttir, “Memoria” (2013) A creepy psychological character study, “Memoria” is very depressing to

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Northern European Films

The Backwater Gospel: a darkly grim Gothic satire on religious fanaticism, mob rule and the fear of death

Bo Mathorne, “The Backwater Gospel” (2011) In a total running time of just over nine

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North American Films | Northern European Films

Dancer in the Dark: a manipulative film with a conservative and disheartening message

Lars von Trier, “Dancer in the Dark” (2000) Lars von Trier’s one attempt at making

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Northern European Films | Southeast Asian Films

The Act of Killing: chilling documentary on mass murderers and the society that supports and celebrates their deeds

Joshua Oppenheimer, “The Act of Killing” (2012) A chilling film, made all the more so

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Northern European Films

The Seventh Seal: examining a man’s crisis of faith and his quest for meaning to his existence

Ingmar Bergman, “The Seventh Seal / Det Sjunde Inseglet” (1957) Set in Sweden during the

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Northern European Films

Persona: visually stunning minimalist meditation on identity, duality and the art of film-making

Ingmar Bergman, “Persona” (1966) A visually stunning film, shot in black and white film and

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Northern European Films

Wild Strawberries: a road trip into self-discovery and examination that leads to redemption and self-forgiveness

Ingmar Bergman, “Smultronstället /  Wild Strawberries” (1957) Few movies feature 80 or 70-something actors as lead

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Northern European Films

True Norwegian Black Metal : a travel guide into the “world” of a black metal musician

Ivar Berglin and Peter Beste, “True Norwegian Black Metal” (Vice, 2007) Despite the title, this

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