28 Weeks Later: film has more Swiss-cheese holes than the zombies make in their victims
Juan Carlos Fresnadillo, “28 Weeks Later” (2007) On paper it looked like a good idea:
Category: Spanish Films
Reviews of films from Spain or made or produced by Spanish-based individuals and studios. This category includes films made in Basque, Catalan and Spanish languages.
French and French-language Films | German and German-language Films | Spanish Films
Carnage: comedy of no-manners patronises Americans and diminishes its audiences
Roman Polanski, “Carnage” (2011) Not one of his better efforts due to the nature of
The Skin I Live In: tricked-up film about identity change misses some deep lessons about obsession, control and revenge
Pedro Almodóvar, “The Skin I Live In / La Piel Que Habito” (2011) Georges Franju’s sci-fi
French and French-language Films | Spanish Films
L’Age d’Or: cheeky and hilarious attack on religious, social and political repression and corruption
Luis Buñuel and Salvador Dali, “L’Âge d’Or” (1930) On the heels of “Un Chien Andalou”,
Un Chien Andalou: a special once-in-a-lifetime visual experience
Luis Buñuel and Salvador Dali, “Un Chien Andalou” (1929) Famous surrealist film that never fails
The Awakening: tasty little film of death and how suddenly it comes
Ignacio Cerdà, Ethan Jacobson, Francisco Stohr, “The Awakening” (1991) This 8-minute short is the first
Fermat’s Room: a light and entertaining if not completely satisfying film about professional rivalry and intellectual obsession
Luis Piedrahita and Rodrigo Sapeña, “Fermat’s Room” (2009) Three brilliant mathematicians and an inventor, each
Superego and Id meet slapstick in Oristrell’s breathless “Unconscious”
Joaquin Oristrell, “Unconscious” (2004) An amusing and vivacious romance comedy set in Barcelona, 1913, “Unconscious”
Agora: Hypatia’s life and times not done justice by film plot and structure
Alejandro Amenabar, “Agora” (2010) This Spanish production presents a fictional account of the final years
Buried: film just manages to avoid burying itself with gimmicks and diversions
Rodrigo Cortes, “Buried” (2010) For a one-trick pony in which the trick is one man