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Under Southern Eyes

Category: Spanish Films

Reviews of films from Spain or made or produced by Spanish-based individuals and studios. This category includes films made in Basque, Catalan and Spanish languages.

British Films | Spanish Films

28 Weeks Later: film has more Swiss-cheese holes than the zombies make in their victims

Juan Carlos Fresnadillo, “28 Weeks Later” (2007) On paper it looked like a good idea:

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French and French-language Films | German and German-language Films | Spanish Films

Carnage: comedy of no-manners patronises Americans and diminishes its audiences

Roman Polanski, “Carnage” (2011) Not one of his better efforts due to the nature of

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Spanish Films

The Skin I Live In: tricked-up film about identity change misses some deep lessons about obsession, control and revenge

Pedro Almodóvar, “The Skin I Live In / La Piel Que Habito” (2011) Georges Franju’s sci-fi

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French and French-language Films | Spanish Films

L’Age d’Or: cheeky and hilarious attack on religious, social and political repression and corruption

Luis Buñuel and Salvador Dali, “L’Âge d’Or” (1930) On the heels of “Un Chien Andalou”,

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Spanish Films

Un Chien Andalou: a special once-in-a-lifetime visual experience

Luis Buñuel and Salvador Dali, “Un Chien Andalou” (1929) Famous surrealist film that never fails

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Spanish Films

The Awakening: tasty little film of death and how suddenly it comes

Ignacio Cerdà, Ethan Jacobson, Francisco Stohr, “The Awakening” (1991) This 8-minute short is the first

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Spanish Films

Fermat’s Room: a light and entertaining if not completely satisfying film about professional rivalry and intellectual obsession

Luis Piedrahita and Rodrigo Sapeña, “Fermat’s Room” (2009) Three brilliant mathematicians and an inventor, each

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Spanish Films

Superego and Id meet slapstick in Oristrell’s breathless “Unconscious”

Joaquin Oristrell, “Unconscious” (2004) An amusing and vivacious romance comedy set in Barcelona, 1913, “Unconscious”

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Spanish Films

Agora: Hypatia’s life and times not done justice by film plot and structure

Alejandro Amenabar, “Agora” (2010) This Spanish production presents a fictional account of the final years

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Spanish Films

Buried: film just manages to avoid burying itself with gimmicks and diversions

Rodrigo Cortes, “Buried” (2010) For a one-trick pony in which the trick is one man

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