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Eastern European Films

The Red and the Black / The Horse: two little oil paintings in continuous motion

Witold Giersz, “The Red and the Black / Czorwane i Czarne” (1963) / “The Horse

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Eastern European Films

Son (dir. Ryszard Czekala): a solid, powerful short about rural-urban and generational division

Ryszard Czekala, “Son / Syn” (1970) This short silent animation piece is one that Polish

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Northern European Films

Wild Strawberries: a road trip into self-discovery and examination that leads to redemption and self-forgiveness

Ingmar Bergman, “Smultronstället /  Wild Strawberries” (1957) Few movies feature 80 or 70-something actors as lead

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British Films

A Clockwork Orange: a political and social comedy satire relying too much on audiovisual shock tactics

Stanley Kubrick, “A Clockwork Orange” (2013) Not a bad film but for what it is,

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North American Films

House of Wax: realism versus art and artifice in horror cult film

Andre de Toth, “House of Wax” (1953) “House of Wax” was the movie that established

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North American Films

Repo Man: science fiction comedy satire on the beginnings of Western capitalist / consumerist culture’s downfall

Alex Cox, “Repo Man” (1984) Dare I say that with the passage of time, this

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North American Films

The Sweet Hereafter: a fragmented film labouring under too many issues about loss and betrayal of children

Atom Egoyan, “The Sweet Hereafter” (1997) It won quite a few Best Film and Director

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French and French-language Films

Hidden: a film about guilt, trust, colonial exploitation and manipulation of signs is overburdened by art and cleverness

Michael Haneke, “Caché / Hidden” (2005) An imaginative if overly layered thriller about a couple

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North American Films

Fear and Loathing in Las Vegas: a psychedelic slapstick comedy satire on American society and its values

Terry Gilliam, “Fear and Loathing in Las Vegas” (1998) From that period of Johnny Depp’s

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Russian and Soviet Films

Solaris: a philosophical science fiction film investigates the nature of reality and humans’ relationship with the cosmos

Andrei Tarkovsky, “Solaris” (1972) The great Soviet director Andrei Tarkovsky was nothing if not consistent:

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