The Sweet Hereafter: a fragmented film labouring under too many issues about loss and betrayal of children
Atom Egoyan, “The Sweet Hereafter” (1997) It won quite a few Best Film and Director
Atom Egoyan, “The Sweet Hereafter” (1997) It won quite a few Best Film and Director
French and French-language Films
Michael Haneke, “Caché / Hidden” (2005) An imaginative if overly layered thriller about a couple
Terry Gilliam, “Fear and Loathing in Las Vegas” (1998) From that period of Johnny Depp’s
Andrei Tarkovsky, “Solaris” (1972) The great Soviet director Andrei Tarkovsky was nothing if not consistent:
“Breaking Inequality” (2013) An urgent and impassioned documentary made to appeal to all Americans, “Breaking
Ed Schehl, “A Silent Forest: the Growing Threat, Genetically Engineered Trees” (2011) Narrated by Canadian
Philip Kaufman, “Quills” (2000) Intended as an inquiry into the extremes of sexual licentiousness and
Latin American Films (Spanish language)
Ana Piterbarg, “Todos tenemos un Plan / Everybody has a Plan” (2012) Ah, don’t we
French and French-language Films | German and German-language Films | Italian and Italian-language Films
Jean-Jacques Annaud, “The Name of the Rose” (1986) Based on Umberto Eco’s novel of the
Nick Alhmark / Vice, “Sisa: Cocaine of the Poor” (2013) Distressing to watch, yes, but