Tomorrow I’ll Wake Up and Scald Myself with Tea: exuberant science fiction time-travel comedy with a subversive message about lost opportunities and possibilities
Jindrich Polak, “Tomorrow I’ll Wake Up and Scald Myself with Tea / Zitra vstanu a
Jindrich Polak, “Tomorrow I’ll Wake Up and Scald Myself with Tea / Zitra vstanu a
Latin American Films (non-Spanish / non-Portuguese)
Iara Lee, “Modulations, Cinema for the Ear” (1998) Billed as a history of electronic music
Australian and New Zealand Films
Matthew Bate, “What the Future Sounded Like” (2006) Here be a good little documentary about the
Tomas Alfredsson, “Tinker, Tailor, Soldier, Spy” (2011) I’m too young to know the 1979 BBC TV
Jan Svankmajer, “The Fall of the House of Usher” (1981), “The Pit, the Pendulum and
Mel Bucklin, “Emma Goldman – An Exceedingly Dangerous Woman” (2003) This portrait of Emma Goldman,
Carl Urbano, “A is for Atom” (1952) Created and produced by John Sutherland and sponsored
Australian and New Zealand Films | Multi-media Presentations
Ms&Mr, “Xerox Missive 1977 / 2011”, multi-channel video installation (2011) Technically not a film but a
Hiromasa Yonebayashi, “Arrietty / Karu-gurashi no Arrietti” (2010) A charming offering from Studio Ghibli, based
Shane Carruth, “Primer” (2004) A low-budget film (it cost about US$7,000 to make) about four